"Chanson de Solveig" by Natalie Dessay, Ensemble Agora had its release date on October 15, 2008. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Natalie Dessay, Ensemble Agora's "La petite sirène" album is number 16 out of 16. Chanson de Solveig is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chanson de Solveig by Natalie Dessay, Ensemble Agora to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille" | Jacques Offenbach, Edita Gruberova, Choeur de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A♭ Major | 1 | 4B | 178 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| La pendule parle | Gallimard Jeunesse, Natalie Dessay, Ensemble Agora | D Minor | 2 | 7A | 138 BPM | ||
| Polifemo, HelN 31: Alto Giove - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 71 BPM | ||
| Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel, José van Dam, Kenneth Riegel, Kiri Te Kanawa, John Macurdy, Edda Moser, Malcolm King | A Major | 1 | 11B | 93 BPM | ||
| Ariadne auf Naxos, Op. 60 / Prologue: Hast ein Stückerl Notenpapier? | Richard Strauss, Jürgen Commichau, Anne Sofie von Otter, Natalie Dessay, Albert Dohmen, Deborah Voigt, Michael Howard, Staatskapelle Dresden, Giuseppe Sinopoli | B♭ Major | 1 | 6B | 89 BPM | ||
| Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) | Giacomo Puccini, Sir John Barbirolli, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 2 | 2B | 60 BPM | ||
| Il y a des lunes et des lunes | Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky | B Minor | 2 | 10A | 79 BPM | ||
| Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
| La traviata / Act 3: Addio del passato | Giuseppe Verdi, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | A Minor | 1 | 8A | 83 BPM | ||
| Sérénade à Watteau | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Bellini: La sonnambula, Act I: "Sovra il sen la man mi posa" (Amina, Coro) | Vincenzo Bellini, Natalie Dessay, Choeurs de l'Opéra National de Lyon, Evelino Pidò, Orchestre De L'Opéra National De Lyon | B♭ Major | 2 | 6B | 67 BPM | ||
| Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
| Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
| Ravel: L'enfant et les sortilèges, M. 71, Tableau I: "Arrière ! Je réchauffe les bons" (Le Feu) | Maurice Ravel, Natalie Dessay, Patrick Fournillier, Orchestre Philharmonique de Monte-Carlo | D Minor | 1 | 7A | 83 BPM | ||
| Fourteen Songs, Op. 34: 14. Vocalise | Sergei Rachmaninoff, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D♭ Minor | 1 | 12A | 169 BPM | ||
| Carmen / Act 1: "Quand je vous aimerai?"/Havanaise: "L'amour est un oiseau rebelle" | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D Major | 0 | 10B | 111 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
| Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM |