The Kingston Trio's ' "Two-Ten, Six-Eighteen" was released on its scheduled release date, July 1, 1963. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Two-Ten, Six-Eighteen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sunny Side". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Two-Ten, Six-Eighteen's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Two-Ten, Six-Eighteen by The Kingston Trio having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last Thing on My Mind | Liam Clancy, Tom Paxton | A♭ Major | 4 | 4B | 150 BPM | ||
| Spanish Ladies | Paul Clayton | D Major | 1 | 10B | 171 BPM | ||
| Forty-Five Years | Stan Rogers | B♭ Major | 2 | 6B | 139 BPM | ||
| I Am What I Am | Jim & Ingrid Croce | C Major | 2 | 8B | 173 BPM | ||
| The Honey Wind Blows | Glenn Yarbrough | A Minor | 2 | 8A | 127 BPM | ||
| Lonesome Traveler | The Limeliters | C Minor | 7 | 5A | 140 BPM | ||
| The First Time | The Kingston Trio | E Major | 2 | 12B | 116 BPM | ||
| Michael | The Highwaymen | D Major | 2 | 10B | 103 BPM | ||
| Born To Be With You | Sonny James | D Major | 6 | 10B | 147 BPM | ||
| The Merry Ploughboy | The Carlton Showband | C Major | 8 | 8B | 122 BPM | ||
| Leaving, on a Jet Plane | The Mitchell Trio | A♭ Major | 3 | 4B | 146 BPM | ||
| Kisses Sweeter Than Wine - Live at Carnegie Hall, New York City, 24 December 1955 | The Weavers | A Minor | 2 | 8A | 142 BPM | ||
| I'll Be Gone | Pozo Seco Singers | E♭ Major | 4 | 5B | 125 BPM | ||
| Summer Girls | Ralph McTell | A Major | 7 | 11B | 175 BPM | ||
| Gilgarry Mountain (Darlin Sportin' Jenny) | The Limeliters | D Major | 8 | 10B | 117 BPM | ||
| In The Days of Old Khancoban | Smokey Dawson & Trevor Knight | A Major | 7 | 11B | 121 BPM | ||
| Last Night I Had The Strangest Dream | Chad Mitchell Trio | B Major | 1 | 1B | 125 BPM | ||
| Tom Dooley | The Kingston Trio | E Major | 1 | 12B | 126 BPM | ||
| Boll Weevil | Tex Ritter | G Major | 5 | 9B | 171 BPM | ||
| (The Man Who Shot) Liberty Valance | Gene Pitney | D♭ Minor | 6 | 12A | 88 BPM | ||
| Times Are Getting Hard | The Limeliters | F♯ Major | 1 | 2B | 117 BPM | ||
| Cindy Oh Cindy | The Highwaymen | A Major | 1 | 11B | 125 BPM | ||
| She Believes In Me | John Stewart | C Major | 5 | 8B | 117 BPM | ||
| From Both Sides Now | Dion | B♭ Major | 4 | 6B | 110 BPM | ||
| Where the Mountain Meets the Bay | Buddy Wasisname & The Other Fellers | D Major | 3 | 10B | 141 BPM |