Joan Baez's ' "Where Have All The Flower" was released on its scheduled release date, January 1, 1982. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Very Early Joan (Live) by Joan Baez. The song's track number on the album is #17 out of 22 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Where Have All The Flower's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Where Have All The Flower by Joan Baez has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Where Have All The Flower being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sagt Mir Wo Die Blumen Sind | Joan Baez | G Major | 0 | 9B | 123 BPM | ||
| Pale Blue Eyes | The Velvet Underground | D Major | 2 | 10B | 110 BPM | ||
| Si tu dois partir | Fairport Convention | C Major | 3 | 8B | 126 BPM | ||
| Agent Orange | Country Joe McDonald | E Major | 2 | 12B | 74 BPM | ||
| You Were On My Mind | Ian & Sylvia | F Major | 5 | 7B | 140 BPM | ||
| Darcy Farrow | Ian & Sylvia | F Major | 2 | 7B | 98 BPM | ||
| Killing Me Softly | Lori Lieberman | F Minor | 0 | 4A | 100 BPM | ||
| Summer Lightning | Ralph McTell | A Major | 7 | 11B | 175 BPM | ||
| Song to the Siren | Tim Buckley | B♭ Major | 1 | 6B | 62 BPM | ||
| If You Want To Sing Out, Sing Out | Yusuf / Cat Stevens | C Major | 3 | 8B | 132 BPM | ||
| First Song | Ralph McTell | D♭ Major | 1 | 3B | 115 BPM | ||
| Goin' back to Harlan (Aka Appalachian Dream) | Kate & Anna McGarrigle | A Major | 7 | 11B | 161 BPM | ||
| One Too Many Mornings | Joan Baez | D♭ Major | 3 | 3B | 77 BPM | ||
| Be Yourself | Graham Nash | G Major | 3 | 9B | 158 BPM | ||
| Hangman | Tia Blake | F♯ Major | 2 | 2B | 183 BPM | ||
| Jesus Was a Cross Maker | Judee Sill | C Major | 3 | 8B | 101 BPM | ||
| Proserpina | Martha Wainwright | B Major | 2 | 1B | 65 BPM | ||
| Hard Times, Come Again No More | Jennifer Warnes | B♭ Major | 0 | 6B | 172 BPM | ||
| Betty and Dupree | Tia Blake | G Major | 1 | 9B | 79 BPM | ||
| Teach Your Children | Crosby, Stills, Nash & Young | D Major | 3 | 10B | 156 BPM | ||
| Wish I Was a Single Girl Again | Tia Blake | A Major | 0 | 11B | 116 BPM | ||
| Helpless | Crosby, Stills, Nash & Young | D Major | 3 | 10B | 156 BPM | ||
| Remember the Day | Sibylle Baier | C Minor | 1 | 5A | 87 BPM | ||
| Bird On the Wire | Tim Hardin | G Major | 3 | 9B | 126 BPM | ||
| Somewhere Along the Road | Silly Sisters | G Major | 1 | 9B | 109 BPM |