"In thee, O Lord" by Thomas Ravenscroft, Magdalena Consort, Fretwork, William Hunt had its release date on February 28, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Magdalena Consort, Fretwork, William Hunt's "In Chains of Gold, Vol. 3" album is number 6 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In thee, O Lord is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In thee, O Lord by Thomas Ravenscroft, Magdalena Consort, Fretwork, William Hunt to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humbly I Adore Thee, Hidden Deity | John Shaw, James Flores | D Major | 2 | 10B | 103 BPM | ||
| Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM | ||
| Laudate Nomen (Arr. E. Fellowes for choir) | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Oh Thank You, Creator, Most Merciful | Laestadian Lutheran Church, Laurel Loukusa, Kaitlyn Huhta, Matthew Keranen | G Major | 1 | 9B | 148 BPM | ||
| Donnez à boire | Thomas Ravenscroft, La Maurache, Julien Skowron, Vincent Lecornier, Muriel Allin, Alexandre-Pierre Levy, Michèle Vandenbrouque, Nicolas Zanlonghi, Hervé Barreau, Kléber Besson, Anne Carole Denès, Laurence Orlowski | E Minor | 2 | 9A | 129 BPM | ||
| Pammelia: The Nightingale, the Merry Nightingale: Pammelia: The Nightingale, the Merry Nightingale | Thomas Ravenscroft, Wolfgang Katschner, Lautten Compagney | D♭ Major | 0 | 3B | 136 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| Tallis: O Lord, Give Thy Holy Spirit | The Tallis Scholars, Peter Phillips | B♭ Minor | 1 | 3A | 80 BPM | ||
| Gaudete: Gloria! Gloria! | Anders Öhrwall, Hagersten Motet Choir, Ingemar Mansson, Mats Möller, Christina Sonstevold, Knut Sönstevold | A♭ Major | 1 | 4B | 159 BPM | ||
| Vox Angelica | Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest, Elaria | B♭ Minor | 1 | 3A | 142 BPM | ||
| Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | ||
| Svete Tihiy | Stellenbosch University Choir | E Major | 2 | 12B | 77 BPM | ||
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | ||
| Ely of July | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | ||
| Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| The Maid She Went A-milking (Arr. for Vocal Ensemble by Peter Warlock) | Thomas Ravenscroft, Mark Brown, Michael Clarke, Bob Hunter, James Lewington, Richard Hazell | E♭ Major | 3 | 5B | 82 BPM | ||
| Psalm CXXX | Charles Hylton Stewart, Michael Bloss, Choir of St John's, Elora, Noel Edison | E Major | 1 | 12B | 94 BPM | ||
| The Painter’s Song: Where Are You, Fair Maids? | Thomas Ravenscroft, Edgar Fleet, Denis Stevens, The Ambrosian Players, Neville Marriner, Peter Gibbs, Leslie Malowany, Max Gilbert, Bernard Richards | D Major | 5 | 10B | 123 BPM | ||
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
| It Is Meet | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| All Gifts That We Receive, Lord SHZ 251 | Laestadian Lutheran Church, Laurel Loukusa, Kaitlyn Huhta, Jake Muhonen | G Major | 1 | 9B | 148 BPM | ||
| Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM |