"Overture (for Lily)" by Preston Reed had its release date on January 1, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Preston Reed's "Metal" album is number 5 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Overture (for Lily) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Overture (for Lily) by Preston Reed to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Connie | Tom Anello | G Major | 4 | 9B | 80 BPM | ||
| Caledon Wood | Al Petteway, Amy White, Bonnie Rideout, Maggie Sansone, Eric Rigler, Abby Newton | G Major | 3 | 9B | 118 BPM | ||
| Esquinas y Recuerdos | RAEZZA | G Minor | 3 | 6A | 110 BPM | ||
| Infinito | sancosme | D♭ Minor | 2 | 12A | 81 BPM | ||
| Carolina Blue Guitar | Tim Sparks | G Major | 3 | 9B | 134 BPM | ||
| Lucy Watusi | Calum Graham, Don Ross | F Major | 6 | 7B | 120 BPM | ||
| At the Meeting House | Julian Lage & Chris Eldridge | G Minor | 3 | 6A | 110 BPM | ||
| Man of Constant Sorrow | John Standefer | D Major | 4 | 10B | 94 BPM | ||
| エンコミアム(レヴェリー) | Mike Dawes | F♯ Minor | 2 | 11A | 109 BPM | ||
| ザ・クロックワーク | Petteri Sariola | B♭ Major | 4 | 6B | 102 BPM | ||
| Blues When I lost You | Franco Morone | F♯ Minor | 4 | 11A | 98 BPM | ||
| Lost Time | Preston Reed | C Minor | 0 | 5A | 73 BPM | ||
| Mulberry Street | Dylan Ryche | F Major | 3 | 7B | 86 BPM | ||
| The Unexpected Visitor | Michael Hedges | C Major | 2 | 8B | 93 BPM | ||
| Jesus Maria | Leo Kottke | E Minor | 2 | 9A | 82 BPM | ||
| Kadourimdou (To Karim & Doudou) | Pierre Bensusan | E Minor | 1 | 9A | 91 BPM | ||
| Always | Aram Bedrosian | A Major | 4 | 11B | 87 BPM | ||
| A Bird's Eye View | Laurence Juber | G Major | 2 | 9B | 169 BPM | ||
| The Right Words Are Simple | Vin Downes | E♭ Major | 1 | 5B | 141 BPM | ||
| The Reason | Andy McKee | B Major | 4 | 1B | 171 BPM | ||
| A Place to Call Home | Mauro Caprile | F♯ Major | 2 | 2B | 125 BPM | ||
| Confusion # 8 | Erik Mongrain | B♭ Major | 4 | 6B | 104 BPM | ||
| オーヴァーロード | Mike Dawes | D♭ Major | 5 | 3B | 99 BPM | ||
| Tight Trite Night | Don Ross, Andy McKee | B Minor | 5 | 10A | 132 BPM | ||
| Flowers for April | Mark Kroos | F♯ Major | 1 | 2B | 122 BPM |