"Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C" by Henry Purcell, John Eliot Gardiner, Charles Brett, Equale Brass Ensemble, Felicity Lott, John C. Williams, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra had its release date on January 1, 1990. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Purcell: Music for Queen Mary, Come ye Sons of Art". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. In terms of popularity, Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C by Henry Purcell, John Eliot Gardiner, Charles Brett, Equale Brass Ensemble, Felicity Lott, John C. Williams, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): IV. Et Jesum benedictum | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 92 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 2 | 1B | 89 BPM | ||
| Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Herr Zebaoth | Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
| Purcell: Tell Me, Some Pitying Angel, Z. 196 | Henry Purcell, Nancy Argenta, Nigel North, Paul Nicholson, Richard Boothby | B Minor | 1 | 10A | 64 BPM | ||
| Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": I. Kyrie | Giovanni Pierluigi da Palestrina, Edward Higginbottom, Choir of New College, Oxford | B♭ Major | 2 | 6B | 75 BPM | ||
| Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6 - Live | Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Alastair Miles, Mark Tucker, Nigel Robson, Bryn Terfel, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 2 | 2B | 175 BPM | ||
| Requiem, Op. 9 (1961 version): Agnus Dei | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | C Major | 0 | 8B | 126 BPM | ||
| Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
| Stabat Mater RV 621: V. Quis non posset | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | C Minor | 1 | 5A | 71 BPM | ||
| Gloria in D Major, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | D Major | 1 | 10B | 111 BPM | ||
| Alcidiane: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 82 BPM | ||
| Membra Jesu nostri, BuxWV 75: IVa. Ad latus: Surge, amica | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
| Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
| Es ist nun aus mit meinem Leben | Johann Christoph Bach, Julia Doyle, Katherine Fuge, Clare Wilkinson, Nicholas Mulroy, James Gilchrist, Jeremy Budd, Matthew Brook, Peter Harvey, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 1 | 12A | 127 BPM | ||
| Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 3a. Credo: Credo | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 82 BPM | ||
| Requiem: V. Confutatis | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 1 | 7B | 145 BPM | ||
| Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
| The Fairy Queen, Z. 629 / Act 3: A Song In Two Parts And Chorus: "If Love's a Sweet Passion" | Henry Purcell, Jennifer Smith, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 1 | 2B | 135 BPM | ||
| Mass in D Major, Op. 86 / Kyrie: Ic. Kyrie II | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 1 | 10B | 75 BPM | ||
| Calme des nuits, Op. 68, No. 1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
| Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
| Stabat Mater, P. 77: VIII. Fac ut ardeat | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 2 | 6A | 110 BPM | ||
| The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
| Messe de requiem: VI. Agnus Dei | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | G Major | 1 | 9B | 74 BPM | ||
| Miserere, ZWV 57: III. Gloria Patri I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán | A Major | 1 | 11B | 69 BPM |