Michael Ray's 'Hold' had a release date set for April 19, 2024. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Hold's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Ray's "Hold" album is number 1 out of 2. On top of that, United States appears to be the country where this track was created. In terms of popularity, Hold is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hold by Michael Ray to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drivin' Horses | Alee | A♭ Minor | 8 | 1A | 120 BPM | ||
| Bud Light The Way | Owen Riegling | E Major | 2 | 12B | 137 BPM | ||
| Backroads at 2 A.M. | Bourbon Lane | A♭ Major | 5 | 4B | 152 BPM | ||
| Matching Tattoos | Josh Ross | E Major | 6 | 12B | 78 BPM | ||
| Boots in a Bar | Jordan Rowe | D♭ Major | 4 | 3B | 78 BPM | ||
| Here's To Hometowns | Nate Smith | D♭ Major | 9 | 3B | 100 BPM | ||
| Fled the Scene | Joey Greer | C Minor | 6 | 5A | 145 BPM | ||
| Grass on the Grave | Allie Colleen | B Major | 6 | 1B | 113 BPM | ||
| Best Friends | Eric Paslay | C Major | 4 | 8B | 77 BPM | ||
| Breakin' in Boots - Stripped | Matt Stell | C Major | 5 | 8B | 114 BPM | ||
| Somewhere In the Middle | Will Moseley, Nate Baker | A♭ Major | 5 | 4B | 150 BPM | ||
| Blame It on You | Kelsey Lamb | E♭ Major | 8 | 5B | 150 BPM | ||
| The One My Daddy Found | Bryce Leatherwood | G Major | 8 | 9B | 152 BPM | ||
| Tell Me Not To | Restless Road | D Major | 5 | 10B | 152 BPM | ||
| Betcha Gonna | Filmore | B Major | 7 | 1B | 144 BPM | ||
| Blank Space | Michael Ray | E Major | 8 | 12B | 94 BPM | ||
| Love Language | Todd Cameron | D Major | 9 | 10B | 146 BPM | ||
| Bottom Shelf | Jojo Mason | A Major | 7 | 11B | 80 BPM | ||
| My Shadow | Dillon James | A♭ Major | 8 | 4B | 164 BPM | ||
| A Cowboy Who Would | Chancey Williams | G Major | 8 | 9B | 148 BPM | ||
| Never Goin’ Back Story (Lex’s Song) | Hayden Coffman | E♭ Major | 5 | 5B | 138 BPM | ||
| NASCAR | Adam Sanders | A Major | 10 | 11B | 128 BPM | ||
| Up From Here | Payton Smith | D Minor | 9 | 7A | 119 BPM | ||
| Over When We're Sober | Brantley Gilbert, Ashley Cooke | F Major | 4 | 7B | 76 BPM | ||
| Gulf of Mexico | Tracy Lawrence | F Major | 5 | 7B | 130 BPM |