Héctor Rojas's 'Primavera' had a release date set for 1998. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 29 out of 186. On top of that, Mexico appears to be the country where this track was created. Primavera is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Primavera by Héctor Rojas to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Choclo (Arr. R. Cobo) | Ángel Gregorio Villoldo, Ricardo Cobo | D Major | 1 | 10B | 126 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | G Major | 1 | 9B | 115 BPM | ||
| Homenaje a Tarrega: II. Soleares | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 148 BPM | ||
| Cavatina | Stanley Myers, Simon Dinnigan | E Major | 0 | 12B | 75 BPM | ||
| The Rain Outside the Window | Tao Huang, Xianji Liu | G Major | 1 | 9B | 147 BPM | ||
| Romance de los pinos | Federico Moreno Torroba, Andrés Segovia | A Major | 0 | 11B | 83 BPM | ||
| Elegía por la muerte: II. Melancolia | Maximo Diego Pujol, Ricardo Cobo | D Minor | 2 | 7A | 119 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: IV. Gavotte et Musette | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 74 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Pièces de clavecin, Book 2: 6e Ordre: V. Les Barricades Mystérieuses (Arr. for Guitar by Mats Bergström) | Mats Bergström | C Major | 2 | 8B | 112 BPM | ||
| Clive's Song | Gerard Cousins | G Major | 1 | 9B | 115 BPM | ||
| 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
| Suite Montebello: I. Una flor en la laguna | Julio Cesár Oliva | A Minor | 1 | 8A | 131 BPM | ||
| 3 Piezas Rioplatenses: Septiembre | Maximo Diego Pujol, Victor Villadangos | D Major | 0 | 10B | 169 BPM | ||
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| Adagio of Spartacus and Phrygia (Transcr. E. Khachaturian for Solo Piano) - Excerpt | Aram Khachaturian, Jean-Yves Thibaudet | F Minor | 0 | 4A | 67 BPM | ||
| Prélude (Arr. Lewin for 2 Guitars) | Olivia Belli, Alexandra Whittingham, Plínio Fernandes | C Minor | 1 | 5A | 149 BPM | ||
| Estudios Diarios: II. Remembranza | Andrés Segovia, Tal Hurwitz | G Major | 2 | 9B | 95 BPM | ||
| 12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM | ||
| Suite populaire brésilienne, W020: No. 1, Mazourka-choro | Heitor Villa-Lobos, Andrea de Vitis | A Minor | 2 | 8A | 84 BPM | ||
| Exercise, Op. 35: Study No. 17 in D Major | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
| Julia Florida | Berta Rojas | D Major | 1 | 10B | 75 BPM | ||
| Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
| Barrios Mangoré: La catedral: III. Allegro solemne | Thibaut García | B Minor | 2 | 10A | 128 BPM | ||
| Flores de la montana (Arr. A. Lauro) | Raul Borges, Victor Villadangos | D Major | 0 | 10B | 98 BPM |