Carl Zeller, André Rieu's 'Roses from Tyrol' had a release date set for January 1, 2011. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Roses from Tyrol's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 17 in Die schönsten Walzer von André Rieu by André Rieu. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Roses from Tyrol is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roses from Tyrol by Carl Zeller, André Rieu is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Vogelhändler, Act I: Finale. Vivat hoch! Vivat hoch! (Live) | Carl Zeller, Elena Puszta, Rupert Bergmann, Mörbisch Festival Choir, Bernhard Berchtold, Raimund Stangl, Dagmar Schellenberger, Morbisch Festival Orchestra, Gerrit Priessnitz | E♭ Major | 0 | 5B | 104 BPM | ||
| Piefke und Pufke-Polka, Op. 235 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 2 | 6B | 87 BPM | ||
| Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Wagner: Tannhäuser, Act 2: "Freudig begrüssen wir die edlen Halle" (Ritter, Grafen, Edelfrauen, Edelknaben) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | B Major | 3 | 1B | 140 BPM | ||
| Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | D Major | 2 | 10B | 93 BPM | ||
| Fedora, Act II: Intermezzo | Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 128 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| Entr'acte to Act II | Heinrich Marschner, Czech Philharmonic Chamber Orchestra, Dario Salvi | E Major | 1 | 12B | 125 BPM | ||
| Tannhäuser: Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 168 BPM | ||
| Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
| Wagner: Tannhäuser, Act 3: "Beglückt darf nun dich, o Heimat ich schauen" (Pilger, Elisabeth, Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | B♭ Major | 2 | 6B | 130 BPM | ||
| Von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien: Overture | Franz von Suppé, Wiener Philharmoniker, Riccardo Muti | F Major | 2 | 7B | 79 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
| (Berlin) Vauxhall Polka (1867) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
| Hansel und Gretel: Overture | Engelbert Humperdinck, Staatskapelle Dresden, Otmar Suitner | C Major | 1 | 8B | 92 BPM | ||
| Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | ||
| Vor meinem Vaterhaus steht eine Linde | Robert Stolz, Rudolf Schock | F Major | 1 | 7B | 76 BPM | ||
| Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
| The Bird Seller: "Wie mein Ahnl zwanzig Jahr" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 86 BPM | ||
| Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson | D Major | 2 | 10B | 96 BPM | ||
| La bohème: Finale. Death of Mimi | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A♭ Major | 5 | 4B | 174 BPM |