Strike Anywhere's 'Three On A Match' had a release date set for August 14, 2001. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 11 in Change Is A Sound by Strike Anywhere. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Three On A Match is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three On A Match by Strike Anywhere is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Ocean | Nothington | D♭ Major | 8 | 3B | 100 BPM | ||
| Culture as Given | Smoke Or Fire | A♭ Major | 10 | 4B | 105 BPM | ||
| You Died...Losing 16 Experience Points | The Decline | B Major | 10 | 1B | 194 BPM | ||
| In the Stocks | Snuff | A Major | 9 | 11B | 88 BPM | ||
| We Are All That We Have | The Unseen | B Minor | 10 | 10A | 139 BPM | ||
| Liar | Much The Same | D♭ Minor | 10 | 12A | 148 BPM | ||
| Past Tense, Future Perfect | Paint It Black | D Major | 10 | 10B | 105 BPM | ||
| This Project Is Stagnant (Get It Out Of My Face) | Latterman | E Major | 10 | 12B | 95 BPM | ||
| Dreaming Of Throwing Up | A Wilhelm Scream | D Minor | 10 | 7A | 112 BPM | ||
| Surprise | Guns n' Wankers | D Major | 10 | 10B | 101 BPM | ||
| Dear Laura | The Loved Ones | F Major | 10 | 7B | 184 BPM | ||
| Grey Suits | Bad Astronaut | B Minor | 8 | 10A | 161 BPM | ||
| Transients | theHELL | F♯ Minor | 10 | 11A | 122 BPM | ||
| Stand | Good Riddance | D Major | 10 | 10B | 104 BPM | ||
| This Day's Seen Better Bars | Red City Radio | D Major | 10 | 10B | 101 BPM | ||
| Presenting: The Dancing Machine (The Robot With the Monkey Head) | The Lawrence Arms | E Major | 10 | 12B | 150 BPM | ||
| Little Fists | Paint It Black | A Major | 10 | 11B | 168 BPM | ||
| Shorter Days and Longer Nights | MakeWar | B Minor | 9 | 10A | 115 BPM | ||
| Boat Builders | A Wilhelm Scream | E Major | 10 | 12B | 192 BPM | ||
| Close My Eyes | Break The Silence | D Major | 10 | 10B | 105 BPM | ||
| Evolution | Pour Habit | D♭ Major | 10 | 3B | 195 BPM | ||
| Sleepy Soliloquy | Diesel Boy | D Major | 9 | 10B | 101 BPM | ||
| What a Time to Be Barely Alive | Arms Aloft | B Major | 10 | 1B | 102 BPM | ||
| I'm Your Opposite Number | Strike Anywhere | A Major | 10 | 11B | 179 BPM | ||
| Deepwood | Avail | D Major | 9 | 10B | 158 BPM |