"Second Poetry Duel" by George Fenton had its release date on February 24, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 24 in Dangerous Beauty (Original Motion Picture Score) by George Fenton. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Second Poetry Duel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Second Poetry Duel by George Fenton is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| The Kids Need You | Howard Shore | G Major | 0 | 9B | 81 BPM | ||
| New Dreams | Gabriel Yared | F Major | 3 | 7B | 65 BPM | ||
| To All The Ships At Sea | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| Lady Gresham (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | A Major | 1 | 11B | 95 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| I Missed You | James Shearman, Nick Ingman | E♭ Major | 1 | 5B | 78 BPM | ||
| In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| Into the Book | Christian Henson | E♭ Major | 1 | 5B | 128 BPM | ||
| Making Moonlight | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Viola's Audition - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 74 BPM | ||
| Austenland Symphony: I. Sonata | Ilan Eshkeri | C Major | 2 | 8B | 89 BPM | ||
| Baby Blue - From "Our Planet" | Steven Price | C Major | 2 | 8B | 59 BPM | ||
| Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| Alice Studies | Guy Farley | G Minor | 1 | 6A | 86 BPM | ||
| Mia's Makeover - Score | John Debney | E Minor | 0 | 9A | 169 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| 'A Bunny Book to Conjure With' | Nigel Westlake | A Major | 0 | 11B | 112 BPM | ||
| Snow Scene | Alan Silvestri | B♭ Major | 1 | 6B | 95 BPM | ||
| A Land Filled With Wonder | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| Astrid and the Earrings | Brian Tyler | E Major | 1 | 12B | 109 BPM |