Яковлев Михаил, Ансамбль народных инструментов «Финист Балалайка»'s 'Элегия' had a release date set for February 9, 2015. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Элегия" is a single. In terms of popularity, Элегия is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Элегия by Яковлев Михаил, Ансамбль народных инструментов «Финист Балалайка» is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ensaio Regional Portão Ccb - Hino 180 Se Muitos Soubessem | Hinário CCB Orquestra | E♭ Major | 4 | 5B | 83 BPM | ||
| Ирмосы Пасхального канона - Московский напев Катавасия, Греческий распев | Хор Свято-Троицкой Сергиевой Лавры, Архимандрит Матфей | A Major | 1 | 11B | 175 BPM | ||
| Cherubini: Medea, Act 1: "Taci, Giason" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Mirto Picchi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 93 BPM | ||
| Macbeth / Act II: Scena: "Perché mi sfuggi" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | ||
| Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Entre las Güertas - Remastered | Sofía Nöel, Segundo Pastor | G Major | 2 | 9B | 93 BPM | ||
| Ave María, Pietro Mascagni | Gemma Román | G Minor | 2 | 6A | 64 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| Simon Boccanegra: Act I: Cielo di stelle orbato (Gabriele, Amelia) | Giuseppe Verdi, Francesco Meli, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | G Minor | 2 | 6A | 64 BPM | ||
| Otcze Nasz 1 | The Orthodox Church Music Ensemble | E♭ Major | 2 | 5B | 80 BPM | ||
| Un ballo in maschera / Act 1: "Finisci il vaticinio" | Giuseppe Verdi, Plácido Domingo, Elena Obraztsova, Ruggero Raimondi, Giovanni Foiani, Renato Bruson, Luigi De Corato, Edita Gruberova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | ||
| Wagner: Lohengrin, Act 2: "Wie kann ich solche Huld dir lohnen" (Ortrud, Elsa, Frederick) | Richard Wagner, Daniel Barenboim, Deborah Polaski, Emily Magee, Falk Struckmann, Staatskapelle Berlin | E♭ Major | 0 | 5B | 135 BPM | ||
| Puccini: Turandot, Act 2: "Olà, Pang! Olà, Pong!" (Ping, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 1 | 6B | 79 BPM | ||
| Andrea Chénier / Act 1: Al mio dire perdono | Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Astrid Varnay, Welsh National Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | A♭ Major | 2 | 4B | 127 BPM | ||
| Der fliegende Holländer: Overture | Richard Wagner, Karl Böhm, Staatskapelle Dresden | G Minor | 2 | 6A | 64 BPM | ||
| Die Fledermaus, Act I: Terzett. Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Friedrich Haider, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Manon Lescaut / Act 4: Tutta su me ti posa | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine | B Minor | 0 | 10A | 77 BPM | ||
| L'elisir d'amore / Act II: "Una tenera occhiatina" | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 113 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | G Minor | 2 | 6A | 64 BPM | ||
| Wagner: Lohengrin, Act 2: "Welch ein Geheimnis muss der Held bewahren?" (Henry, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, René Pape, Staatskapelle Berlin | F Major | 3 | 7B | 78 BPM | ||
| Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Ensaio Regional Portão Ccb - Hino 322 Vem Rei Eterno | Hinário CCB Orquestra | G Major | 0 | 9B | 81 BPM |