Martin Simpson's ' "Prelude-Santa Cruz" was released on its scheduled release date, September 16, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 15 in Cool and Unusual by Martin Simpson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Prelude-Santa Cruz is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Prelude-Santa Cruz by Martin Simpson is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Orphan | Martin Hayes Quartet | B Minor | 2 | 10A | 148 BPM | ||
| The Hills of Longdendale | Jack Rutter | B♭ Major | 4 | 6B | 123 BPM | ||
| The Final Trawl | Emily Smith | D Major | 3 | 10B | 109 BPM | ||
| I'd Rather Be Tending My Sheep | The Furrow Collective | D Major | 1 | 10B | 109 BPM | ||
| Oh England What Seeds | Nancy Kerr | E Major | 3 | 12B | 115 BPM | ||
| Prince Robert | Ewan McLennan | D Major | 1 | 10B | 83 BPM | ||
| The Flower of Sweet Strabane | The Weaving | E Major | 4 | 12B | 88 BPM | ||
| The Water of Tyne | Kathryn Tickell, Hannah Rickard | A Major | 3 | 11B | 100 BPM | ||
| Western Skies | Breabach | E♭ Major | 4 | 5B | 65 BPM | ||
| The Cutty Wren | Jessica Radcliffe, Lisa Ekström, Martin Simpson | E Minor | 2 | 9A | 138 BPM | ||
| Silbury Hill | Phillip Henry & Hannah Martin | G Minor | 4 | 6A | 126 BPM | ||
| The Morning Star/The Caoilte Mountains | Martin Hayes | F Major | 2 | 7B | 181 BPM | ||
| Talk to Me of Mendocino | Karine Polwart, Dave Milligan | B♭ Major | 0 | 6B | 80 BPM | ||
| Shipwrecked | Kris Drever | G Major | 7 | 9B | 118 BPM | ||
| Paddy's Green Shamrock Store | Paul Brady | B Major | 3 | 1B | 150 BPM | ||
| Tom Sherman's Barroom | Martin Simpson | G Major | 3 | 9B | 137 BPM | ||
| The Wind That Shakes the Barley | Lumiere | B Minor | 8 | 10A | 104 BPM | ||
| A Blacksmith Courted Me | Martin Simpson | D Major | 1 | 10B | 112 BPM | ||
| Between the Piers - Instrumental | Kathryn Tickell | A Major | 4 | 11B | 112 BPM | ||
| Bagpipers | Leveret | G Major | 6 | 9B | 105 BPM | ||
| Red Kites | Blue Rose Code | C Major | 3 | 8B | 107 BPM | ||
| Tennessee Waltz | Happy Traum, Martin Simpson | A Major | 2 | 11B | 77 BPM | ||
| Hollow Point | Chris Wood | F Major | 3 | 7B | 98 BPM | ||
| The Fisherman | The Gentle Good | F Major | 2 | 7B | 132 BPM | ||
| Follow The Heron | Karine Polwart | A Major | 3 | 11B | 126 BPM |