Raul Garello's ' "Milonguita" was released on its scheduled release date, January 1, 2001. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 14 in Bailando Tango by Raul Garello. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Milonguita is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Milonguita by Raul Garello is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mimi Pinson (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | G Major | 4 | 9B | 102 BPM | ||
| Che Buenos Aires | Selección Nacional De Tango, Raul Garello | A Major | 3 | 11B | 135 BPM | ||
| Malena | Trio Hugo Diaz | C Minor | 2 | 5A | 119 BPM | ||
| Lágrimas de Fuego | LA Sentimental | F♯ Minor | 3 | 11A | 100 BPM | ||
| La Yumba | Bandonegro | A Minor | 5 | 8A | 123 BPM | ||
| Rosa de otoño (Vals) | Nelly Omar, Francisco Canaro & His Orchestra | G Minor | 4 | 6A | 99 BPM | ||
| Lalo | Hugo Rivas, Raul Garello | A Minor | 2 | 8A | 83 BPM | ||
| Milonga de Mis Amores | Color Tango | A Major | 5 | 11B | 113 BPM | ||
| Siete palabras | Orquesta Carlos di Sarli | C Minor | 3 | 5A | 126 BPM | ||
| Cabulero | Color Tango | C Major | 2 | 8B | 111 BPM | ||
| Marion | Sexteto Fantasma | G Major | 3 | 9B | 122 BPM | ||
| Nochero Soy | Color Tango | A Minor | 3 | 8A | 116 BPM | ||
| Payadora (Arr. F. Dorling) | Trio Hugo Diaz | G Major | 4 | 9B | 113 BPM | ||
| Libertango | Sexteto Mayor | D Minor | 3 | 7A | 141 BPM | ||
| El Choclo | Orquesta De Tangos Argentina, Eduardo Pereda, Francisco Ereira | D♭ Major | 6 | 3B | 112 BPM | ||
| Canaro En París | Bandonegro | G Major | 4 | 9B | 140 BPM | ||
| Percal - Cafetín De Buenos Aires | Orquesta Nacional | D Minor | 3 | 7A | 123 BPM | ||
| La viruta | Vicente Greco, Bandonegro | G Major | 2 | 9B | 123 BPM | ||
| Porque La Quise Tanto | Miguel Montero, Mariano Mores | A Minor | 2 | 8A | 85 BPM | ||
| La Milonga Y Yo | Tita Merello, Carlos Figari | E♭ Major | 3 | 5B | 120 BPM | ||
| Triunfal | Jose Basso | D♭ Minor | 3 | 12A | 125 BPM | ||
| Vieja Viola | Eduardo Espinoza, Raul Garello, Julio Pane, Osvaldo "Marinero" Montes, José Bragato, Carlos Peralta, Antonio Agri, Hugo Baralis, Reynaldo Nichele | A Major | 1 | 11B | 93 BPM | ||
| Sanata | Amores Tangos | F Minor | 4 | 4A | 119 BPM | ||
| El Puntazo | Bandonegro | G Minor | 2 | 6A | 133 BPM | ||
| Mi Amigo Cholo | Atilio Stampone | C Major | 3 | 8B | 118 BPM |