Capcom Sound Team's ' "逆転裁判・終幕" was released on its scheduled release date, March 31, 2004. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. 逆転裁判・終幕's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 逆転裁判+逆転裁判2 オリジナル・サウンドトラック, so we believe that "逆転裁判・終幕" is a single. In terms of popularity, 逆転裁判・終幕 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 逆転裁判・終幕 by Capcom Sound Team is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Save Room (Model Screen) | Masami Ueda | D♭ Major | 10 | 3B | 163 BPM | ||
| 「Force Your Way」 from FINAL FANTASY VIII - arrange | SQUARE ENIX MUSIC | A Major | 9 | 11B | 87 BPM | ||
| PUBIC ENEMY(汎用戦闘①) | Capcom Sound Team | B Minor | 9 | 10A | 136 BPM | ||
| FFVII REMAKE: High Five | 植松 伸夫 | B♭ Major | 10 | 6B | 126 BPM | ||
| Junkit | Tommy Tallarico | A Major | 9 | 11B | 120 BPM | ||
| Stickerbush Symphony (From "Donkey Kong Country 2: Diddy's Kong Quest") - Cover Version | GaMetal | G Minor | 2 | 6A | 142 BPM | ||
| Snake Eyes | Suzuki Masaki | B Minor | 10 | 10A | 132 BPM | ||
| OPENING STAGE | AKEMI KIMURA | A Minor | 9 | 8A | 155 BPM | ||
| Green Grass Gradation | Suzuki Masaki | A Minor | 10 | 8A | 134 BPM | ||
| JENOVA | Nobuo Uematsu | F Major | 6 | 7B | 178 BPM | ||
| Expansion | Zhenlan Kang | B Minor | 8 | 10A | 150 BPM | ||
| 全ての人の魂の詩 | 小宮知子 | C Minor | 5 | 5A | 146 BPM | ||
| 異形の者達~巨像との戦い~ | SIE Sound Team | F Major | 5 | 7B | 130 BPM | ||
| The Front Hall | Capcom Sound Team | F Major | 1 | 7B | 88 BPM | ||
| 全ての人の魂の戦い | 小宮知子 | B Minor | 9 | 10A | 150 BPM | ||
| The Wretched Automatons | SQUARE ENIX MUSIC | G Minor | 6 | 6A | 124 BPM | ||
| Spiral Knights Main Theme | Harry Mack | C Minor | 5 | 5A | 150 BPM | ||
| Prime Time - Studiopolis Zone Act 2 | Tee Lopes | A♭ Major | 9 | 4B | 180 BPM | ||
| Main Menu Screen for SSFⅣ | Hideyuki Fukasawa | G Major | 10 | 9B | 136 BPM | ||
| Vampire Killer | Yoann Laulan, Konami Kukeiha Club | C Minor | 7 | 5A | 127 BPM | ||
| 追求 ~追いつめあって | 岩垂徳行 | B Minor | 10 | 10A | 132 BPM | ||
| English Manor -England Stage- | Steven Mcnair | D♭ Major | 10 | 3B | 138 BPM | ||
| Into the Thick of It | Hiroki Kikuta | F Major | 2 | 7B | 141 BPM | ||
| Veiled in Black | Yoko Shimomura | G Minor | 9 | 6A | 160 BPM | ||
| GRAVITY BEETBOOD STAGE | Kinuyo Yamashita | F♯ Major | 9 | 2B | 208 BPM |