String Quartet No. 3 "Mishima": String Quartet No. 3, "Mishima": V. Blood Oath by Philip Glass, Carducci String Quartet Song Details

"String Quartet No. 3 "Mishima": String Quartet No. 3, "Mishima": V. Blood Oath" by Philip Glass, Carducci String Quartet had its release date on June 1, 2010. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Philip Glass, Carducci String Quartet's "Glass: String Quartets Nos. 1-4" album is number 9 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, String Quartet No. 3 "Mishima": String Quartet No. 3, "Mishima": V. Blood Oath is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of String Quartet No. 3 "Mishima": String Quartet No. 3, "Mishima": V. Blood Oath by Philip Glass, Carducci String Quartet to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 20%
Loudness: -19.322 dB
Acousticness: 99%
Danceability: 36%
Energy: 15%
Instrumentalness: 92%
Liveness: 17%
Loudness: 68%
Speechiness: 5%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Passageways III: The Ancient Lake	Bryce Dessner	A♭ Major	2	4B	102 BPM
Scene 1	Michael Galasso	A Minor	2	8A	117 BPM
La Source	Alphonse Hasselmans, Judy Loman	F Major	1	7B	89 BPM
I. Even	Peter Gregson, Richard Harwood, Warren Zielinski, Ben Hancox, James Boyd	F Major	5	7B	70 BPM
Blue Sky \| Mirrored Glass	Ellen Reid, James McVinnie	D♭ Minor	2	12A	82 BPM
Akhnaten: Act I, Scene 1: Funeral of Amenhotep III	Philip Glass, Cornelius Hauptmann, Paul Esswood, Dennis Russell Davies, Stuttgart State Opera Orchestra, Chor der Staatsoper Stuttgart, Helmut Holzapfel	D♭ Minor	5	12A	178 BPM
Massman	Philip Glass, Yo-Yo Ma, Philip Glass Ensemble, Michael Riesman	B♭ Major	1	6B	100 BPM
The Sinking of the Titanic: 5. Hymn III	Gavin Bryars, Gavin Bryars Ensemble	A♭ Major	1	4B	73 BPM
Wheelbarrow Walk	Michael Nyman	C Major	3	8B	144 BPM
Of a ghost	Max Richter	B♭ Major	2	6B	72 BPM
Everybody was so young II	Sophia Jani, Kontai Ensemble	A♭ Major	1	4B	69 BPM
Adès: Les baricades mistérieuses	Thomas Adès, Composers Ensemble	B♭ Major	0	6B	132 BPM
Kapsburger	Clogs	B Major	4	1B	128 BPM
Passageways IV: Still Waiting	Bryce Dessner	A♭ Major	2	4B	102 BPM
Bach mit Zumutungen	Víkingur Ólafsson, Roedelius, Thomas Rabitsch	A Major	2	11B	134 BPM
II. The Day Before	Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood	A♭ Major	3	4B	127 BPM
The Sinking of the Titanic: 3. Hymn II	Gavin Bryars, Gavin Bryars Ensemble	A♭ Major	0	4B	82 BPM
The Lark in the Clear Air	Carducci String Quartet	F Major	1	7B	97 BPM
One Without	Oliver Coates	E♭ Minor	1	2A	97 BPM
Trio 2006	Sam Gendel	C Major	3	8B	164 BPM
Van Gogh Theme (Just Piano) III	Tatiana Lisovskaya, Paul Cantelon	D Minor	0	7A	70 BPM
Voiles	Mathieu Pelletier-Gagnon, Flore Laurentienne	E Major	3	12B	74 BPM
Inward	Max Richter	B♭ Major	2	6B	72 BPM
Room	nnnoah	A Minor	0	8A	130 BPM
Last Days, Act 1, Scene 3: Blake Listens to Opera	Oliver Leith, Jack Sheen, 12 Ensemble, GBSR Duo	E♭ Minor	1	2A	83 BPM