Kalyan Rimal's 'Himal Ma Nau Ranga' had a release date set for July 14, 1995. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Himal Ma Nau Ranga's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Tis Barse". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Norway. Based on our statistics, Himal Ma Nau Ranga's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Himal Ma Nau Ranga by Kalyan Rimal having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chali Aaiyo Radhe Rani | Anuradha Paudwal, Suresh Wadkar | E Minor | 5 | 9A | 79 BPM | ||
| Ananda Baashpa | Rajkumar | A♭ Minor | 7 | 1A | 165 BPM | ||
| Muraliya Baje Jamuna Re Teer | Chitra Singh | F Major | 5 | 7B | 89 BPM | ||
| Kine De Reshmi Churi | Asha Bhosle | A♭ Major | 4 | 4B | 111 BPM | ||
| O Din Surta | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 200 BPM | ||
| Durgati Haarini Durga Ambe | Hari Om Sharan | F♯ Minor | 5 | 11A | 178 BPM | ||
| Namaste Smarannye Shibe | Shankarlal Mukherjee, Birendra Krishna Bhadra | B♭ Major | 3 | 6B | 124 BPM | ||
| Raat Shayam Sapne Mein Aaye | Piyusha-Kailash Anuj | B♭ Minor | 8 | 3A | 82 BPM | ||
| Pathirakkili | K. J. Yesudas | B♭ Minor | 8 | 3A | 82 BPM | ||
| Neerali Deepava | B. R. Chaya | D♭ Minor | 4 | 12A | 152 BPM | ||
| Adaraye Unusuma | Somathilaka Jayamaha | C Major | 3 | 8B | 132 BPM | ||
| Eththalo Maayavaada | Dr.Rajkumar | F Major | 5 | 7B | 122 BPM | ||
| Aakash Ko | Kalyan Rimal | D Major | 3 | 10B | 80 BPM | ||
| Paththarlai Puja Garna | Kalyan Rimal, Biju Rimal | D Minor | 4 | 7A | 78 BPM | ||
| Kanaka Mundhirikal - Version, 2 | Louis Banks, Sivamani, G Venugopal | B Minor | 1 | 10A | 144 BPM | ||
| Damodar na GunLagta (Prabhatiya) | NARAYANSWAMI | E Major | 5 | 12B | 111 BPM | ||
| Sanda Andura | Somathilaka Jayamaha | C Minor | 3 | 5A | 94 BPM | ||
| Shiv Tandav Stotram | Pujya Bhaishree Rameshbhai Ojha | A♭ Major | 8 | 4B | 110 BPM | ||
| Jiske Sir Par Haath Hai Tera | Hari Om Sharan | F♯ Minor | 5 | 11A | 90 BPM | ||
| Elo Re Elo | Arundhati Holme Chowdhury, Salil Chowdhury | E Minor | 5 | 9A | 129 BPM | ||
| Tor Duaru Ghuchi Ayeli | UMAKANT BARIK | F♯ Minor | 7 | 11A | 125 BPM | ||
| Jau Jau Feri | Kedhar Pradhanang, Kalyan Rimal | D Major | 3 | 10B | 80 BPM | ||
| Hatat Amar Fele Asha | Sapan Chakraborty, Kavita Krishnamurthy | D Minor | 6 | 7A | 131 BPM | ||
| Isharon Isharon Men Dil Lenewale | Asha Bhosle, Mohammed Rafi | F Major | 4 | 7B | 137 BPM | ||
| Buddam Saranam | Kalyan Rimal, Biju Rimal | C Major | 4 | 8B | 120 BPM |