Rudolf Friml, Stephanie Chase, Sara Davis Buechner's 'From Bohemian Woods' had a release date set for October 3, 2006. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. From Bohemian Woods's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 16 in Friml, Rudolf: Bygone Days - The Music Of Rudolf Friml by Rudolf Friml, Stephanie Chase, Sara Davis Buechner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, From Bohemian Woods is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of From Bohemian Woods by Rudolf Friml, Stephanie Chase, Sara Davis Buechner is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Take You Home Again Kathleen | Living Strings | G Major | 2 | 9B | 97 BPM | ||
| Lili Marlene (From "Seven Sinners") | Marlene Dietrich | E Major | 1 | 12B | 114 BPM | ||
| Three O' Clock In the Morning | Paul Whiteman | E Major | 1 | 12B | 114 BPM | ||
| Candlelight Winter Lounge | Oldies Playing | E♭ Major | 0 | 5B | 68 BPM | ||
| Spring In My Heart | Deanna Durbin | C Major | 4 | 8B | 91 BPM | ||
| Everything Stops For Tea | Jack Buchanan | G Minor | 5 | 6A | 122 BPM | ||
| Put on a Happy Face | Victor Silvester and his Silver Strings | B♭ Major | 3 | 6B | 100 BPM | ||
| It's a Lovely Day Tomorrow | Jack Hylton & His Orchestra | D Major | 2 | 10B | 79 BPM | ||
| Sleep, My poor Heart | A. Strock, Leoníd Utësov Jazz Orchestra | E Minor | 3 | 9A | 105 BPM | ||
| O Rosemarie, ich lieb' dich (Sung in German) | Herbert Stothart, Rudolf Friml, Richard Tauber, Orchester des Deutschen Künstlertheaters Berlin, Ernst Hauke | E♭ Major | 2 | 5B | 84 BPM | ||
| You'll Never Know - 2016 Remaster | Vera Lynn | C Major | 1 | 8B | 61 BPM | ||
| We'll Meet Again | Gus Kahn, Rudolf Friml, Herbert Stothart, Vera Lynn, Bert Ambrose Orchestra | D Major | 0 | 10B | 102 BPM | ||
| High Society: True Love | Bing Crosby & Grace Kelly | G Major | 2 | 9B | 137 BPM | ||
| Donne moi | Franck Pourcel et son Grand Orchestre, Franck Pourcel | G Major | 4 | 9B | 85 BPM | ||
| Happy Days Are Here Again | Ambrose & His Orchestra | F Major | 7 | 7B | 123 BPM | ||
| April In Portugal | Annunzio Paolo Mantovani | C Major | 3 | 8B | 121 BPM | ||
| Bill - Original | The Cast of The Show Boat | E♭ Major | 0 | 5B | 132 BPM | ||
| Rose-Marie, Act I Scene 1: Rose-Marie (Reprise) | Rudolf Friml, Gary Holcombe, Debra Vanderlinde, Joseph diGenova, William McClary, Catholic University of America A Cappella Choir, James R. Morris | F Major | 1 | 7B | 174 BPM | ||
| Restaurant Interior | Original Soundtrack | A Major | 2 | 11B | 115 BPM | ||
| Bygone Days | Rudolf Friml, Stephanie Chase, Sara Davis Buechner | G Major | 1 | 9B | 100 BPM | ||
| We'll Gather Lilacs | Harry Secombe, Moira Anderson | F♯ Major | 3 | 2B | 104 BPM | ||
| Long Ago & Far Away | Geraldo & His Orchestra | A♭ Minor | 1 | 1A | 103 BPM | ||
| Lady Of Spain | Eddie Fisher | F Minor | 2 | 4A | 156 BPM | ||
| Rose-Marie, Act I Scene 1: Hard-Boiled Herman | Rudolf Friml, Herbert Stothart, Mark Basile, Laura Waterbury, Catholic University of America A Cappella Choir, James R. Morris | A Major | 2 | 11B | 84 BPM | ||
| When Day Is Done | Jimmy Durante | G Major | 2 | 9B | 98 BPM |