"Deux impromptus pour Harpe: II. Animé" by Jean Cras, Sarah O'Brien had its release date on August 5, 2022. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sarah O'Brien's "Impromptu" album is number 4 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Deux impromptus pour Harpe: II. Animé's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deux impromptus pour Harpe: II. Animé by Jean Cras, Sarah O'Brien to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
| Automne | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 69 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Suite en duo: I. Preambule: Modéré | Jean Cras, Juliette Hurel, Marie-Pierre Langlamet | D Major | 2 | 10B | 94 BPM | ||
| Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Martha Argerich, Mstislav Rostropovich | B♭ Major | 0 | 6B | 83 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | F Major | 1 | 7B | 76 BPM | ||
| Lieder ohne Worte VII, Op. 85: IV. Andante sostenuto, MWV U190 "Elegy" (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | D Major | 0 | 10B | 133 BPM | ||
| Poulenc: Cello Sonata, FP 143: III. Ballabile | Francis Poulenc, Daniel Müller-Schott, Robert Kulek | F Minor | 1 | 4A | 78 BPM | ||
| Polypheme, Act IV Tableau 5: Scene 3: Les feux du jour sont apaises (Choir) | Jean Cras, Armand Arapian, Sophie Marin-Degor, Yann Beuron, Valerie Debize, Remi Corbier, Laure Baert, Ile de France Vittoria Regional Choir, Luxembourg Philharmonic Orchestra, Bramwell Tovey | F♯ Minor | 2 | 11A | 108 BPM | ||
| 6 Morceaux, Op. 19: I. Rêverie du soir. Andante espressivo - Excerpt | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | D Major | 0 | 10B | 68 BPM | ||
| 3 Nocturnes: No. 2, Andante maestoso - Allegro assai | Sergei Rachmaninoff, Boris Giltburg | F Major | 1 | 7B | 76 BPM | ||
| Danse des Lutins | Henriette Renié, Judy Loman | E♭ Minor | 1 | 2A | 89 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | F Major | 1 | 7B | 76 BPM | ||
| Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto | Anton Arensky, Beaux Arts Trio | F Major | 2 | 7B | 86 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Chamber Orchestra, Paul Goodwin | F Minor | 0 | 4A | 106 BPM | ||
| Schubert / Arr. Kreisler: Ballet Music (From Rosamunde, Op. 26, D. 797) | Franz Schubert, Vilde Frang | G Major | 1 | 9B | 86 BPM | ||
| Le tombeau de Couperin: V. Menuet. Allegretto moderato (Arr. Z. Kocsis for orchestra) | Maurice Ravel, Hungarian National Philharmonic, Zoltán Kocsis | E Minor | 0 | 9A | 86 BPM | ||
| La source, Op. 44 | Alphonse Hasselmans, Eva Oertle, Consuelo Giulianelli | F Major | 1 | 7B | 135 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM |