Maxime Rodriguez's ' "Vivo Tango" was released on its scheduled release date, 2014. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Vivo Tango's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Symphonie sur glace, vol. 2 (Musique pour patinage artistique)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Based on our statistics, Vivo Tango's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Vivo Tango by Maxime Rodriguez having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Libertango | Katica Illényi | A Minor | 5 | 8A | 153 BPM | ||
| Closure | Brianna Tam | D Minor | 3 | 7A | 100 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
| Can You See Me | Power-Haus, Duomo | F Major | 5 | 7B | 168 BPM | ||
| With Some Malice | Francesco D'andrea | A♭ Minor | 2 | 1A | 86 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| Turmoil | Ghostwriter | D♭ Major | 5 | 3B | 113 BPM | ||
| Poetry of Madness | Secession Studios, Greg Dombrowski | A Minor | 2 | 8A | 79 BPM | ||
| Classical Trauma | VideoHelper | D♭ Major | 6 | 3B | 130 BPM | ||
| Don Quixote, Act I Scene 1: Kitri Variation | Ludwig Minkus, Юрий Файер, Оркестр Большого театра | D Major | 1 | 10B | 112 BPM | ||
| Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
| The Forgotten Memories | Luella Gren | F Minor | 2 | 4A | 146 BPM | ||
| A Different Theory | Gabriel Saban | D♭ Minor | 9 | 12A | 195 BPM | ||
| Madcap Masquerade | Caleb Swift, Hypersonic Music | E♭ Minor | 7 | 2A | 160 BPM | ||
| Anastasia | Davit Matevosyan | B Minor | 2 | 10A | 92 BPM | ||
| Rondo Across Countless Kalpas | HOYO-MiX | F♯ Major | 8 | 2B | 120 BPM | ||
| Ange et diable | Maxime Rodriguez | A♭ Major | 5 | 4B | 117 BPM | ||
| Oblivara | Vortex Imperium | B Major | 5 | 1B | 66 BPM | ||
| Floris Folium | Mattia Turzo | D Major | 9 | 10B | 105 BPM | ||
| Tango jalousie | Jacob Gade, Sakari Oramo, Wiener Philharmoniker | D Major | 1 | 10B | 72 BPM | ||
| Killer Game | FreshmanSound | F♯ Minor | 8 | 11A | 143 BPM | ||
| Easy Virtue Tango | Sophie Solomon, Perry Montague-Mason, Ian Watson, The Easy Virtue Orchestra | A Minor | 2 | 8A | 93 BPM | ||
| Ange et diable - Version courte | Maxime Rodriguez | A♭ Major | 6 | 4B | 116 BPM | ||
| Baroque Harpsichord and Strings | Rafael Krux, David Krulic | A Minor | 6 | 8A | 130 BPM | ||
| Our Web Of Lies | Moments | G Major | 4 | 9B | 130 BPM |