Fayray's '口づけ' had a release date set for October 27, 2004. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Fayray's "HOURGLASS" album is number 10 out of 12. On top of that, Japan appears to be the country where this track was created. 口づけ is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 口づけ by Fayray to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| あの頃へ | Anzen Chitai | B♭ Major | 6 | 6B | 156 BPM | ||
| 嵐の金曜日 | SHOW-YA | E♭ Major | 1 | 5B | 119 BPM | ||
| なごり雪 | Ai Kawashima | B Minor | 4 | 10A | 180 BPM | ||
| あなたとの日々 | Jun Shibata | E♭ Minor | 5 | 2A | 79 BPM | ||
| 手紙 | Kome Kome Club | D♭ Major | 5 | 3B | 120 BPM | ||
| つよがりソレイユ | 初音 | C Major | 8 | 8B | 162 BPM | ||
| 涙 | Toko Furuuchi | D Minor | 8 | 7A | 90 BPM | ||
| 「さよなら」「ありがとう」 ~たった一つの場所~ | Ai Kawashima | D Major | 3 | 10B | 75 BPM | ||
| 幻 | Jun Shibata | D Minor | 3 | 7A | 76 BPM | ||
| 星のかけらを探しに行こう - Acoustic Version | kyoko | B Minor | 5 | 10A | 92 BPM | ||
| U'll Be Mine -acoustic version- | The Gospellers | E Major | 2 | 12B | 78 BPM | ||
| True Love Story | Hiromi Go, Seiko Matsuda | G Major | 3 | 9B | 107 BPM | ||
| Favorite Phrase | Midori Karashima | C Major | 2 | 8B | 77 BPM | ||
| 楓 | Midori Karashima | B Major | 6 | 1B | 83 BPM | ||
| Love me tender | D-LOOP | C Major | 8 | 8B | 187 BPM | ||
| 歩いて帰ろう | Kaname Kawabata | F Major | 9 | 7B | 96 BPM | ||
| Ta-lila〜僕を見つけて〜 | Nanamusica | E Minor | 7 | 9A | 93 BPM | ||
| なごり雪 | Toshl | E♭ Major | 2 | 5B | 136 BPM | ||
| 特別な日常 -piano ver.- | Yoshiko Hanzaki | D♭ Major | 2 | 3B | 146 BPM | ||
| Love Again ~永遠の世界~ | shela | B Minor | 10 | 10A | 140 BPM | ||
| JUST BECAUSE | THE JAYWALK | A Minor | 6 | 8A | 128 BPM | ||
| stay | Fayray | C Major | 9 | 8B | 94 BPM | ||
| いのちの歌 | Midori Karashima | B♭ Major | 1 | 6B | 74 BPM | ||
| 部屋とYシャツと私~あれから~ | Eri Hiramatsu | A Major | 4 | 11B | 116 BPM | ||
| 会いたい | Yuki Koyanagi | G Major | 6 | 9B | 140 BPM |