Swapnil Bandodkar's ' "Omkar Swarupa" was released on its scheduled release date, August 15, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Omkar Swarupa only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Omkar Swarupa's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Omkar Swarupa by Swapnil Bandodkar having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ganpati Raya Padte Mi Paya | Shakuntala Jadhav | E♭ Minor | 7 | 2A | 74 BPM | ||
| Mauli Vitthal Mauli | Adarsh Shinde, Nilesh Katke, Shantanu Ankushrao Pole, Shree Swami Samarth Creation, Dr. Krunal Metha | A♭ Major | 7 | 4B | 130 BPM | ||
| Sadguru Natha Haat Jodito | Amol Bavdekar | E♭ Major | 5 | 5B | 103 BPM | ||
| Nako Vajavu Shrihari Murali | Suryakant Shinde | A♭ Minor | 9 | 1A | 111 BPM | ||
| Vithhala Tu Veda Kumbhar | Kaustubh Datar | E Major | 7 | 12B | 95 BPM | ||
| Vithala Tu Veda Kumbhar | Sudhir Phadke | G Major | 5 | 9B | 91 BPM | ||
| Bramhanandam | Swapnil Bandodkar, Madhuri Karmarkar | B Major | 2 | 1B | 141 BPM | ||
| Utha Utha Sakaljana | Anjali Jain | B♭ Major | 2 | 6B | 110 BPM | ||
| Bhavevin Bhakti (Haripath) - From "Sant Dnyaneshwaranchi Muktaai" | Avadhoot Gandhi, Srujan Kulkarni, Santsreshtha Shree Dnyaneshwar Maharaj | F Major | 4 | 7B | 72 BPM | ||
| Khel Mandiyela | Ajit Kadkade | B♭ Major | 5 | 6B | 110 BPM | ||
| Swaminche Nandanvan | Savaniee Ravindrra | D Major | 4 | 10B | 110 BPM | ||
| Dahi Dudha Khauni | Surykant Shinde | A♭ Minor | 9 | 1A | 111 BPM | ||
| Natha Ghari Nache Maza Sakha Pandurang | Mahesh Kale | F♯ Minor | 8 | 11A | 100 BPM | ||
| Sukhkarta Dookharta (Aarti) | Avadhoot Gupte, Swapnil Bandodkar, Dnyaneshwar Meshram | A Major | 9 | 11B | 135 BPM | ||
| Amrutacha Kara | Shaila Chikhale, Shrikant Narayan | F♯ Major | 5 | 2B | 83 BPM | ||
| Aaj Mara Mandiriya Ma | Urvashi Pandya | E♭ Minor | 4 | 2A | 132 BPM | ||
| Vitthal Bhaktigeet - Dehachi Tijori | Mandar Apte | D Major | 5 | 10B | 140 BPM | ||
| Sai Digambara | Ajay Gogavale, Nitin Ugalmugale | B♭ Minor | 5 | 3A | 160 BPM | ||
| Gajanan Maharaj Ashtak | Mugdha Vaishampayan | F Minor | 0 | 4A | 69 BPM | ||
| Vitthal Vitthal Vitthalla | Adarsh Shinde, Rohan Rohan | A♭ Major | 7 | 4B | 103 BPM | ||
| Aali Kuthunashi Kaani | Vasant Ajgaonkar | G Major | 4 | 9B | 84 BPM | ||
| Vithumauli Tu Mauli Jagachi | Mahesh Hiremath, Shubhangi Joshi | D♭ Major | 5 | 3B | 83 BPM | ||
| Naad Vitthal Vitthal | Vasant Ajgaonkar | F♯ Major | 10 | 2B | 90 BPM | ||
| Kshanbhar Ughad Nyan Deva | Manik Varma | E♭ Major | 6 | 5B | 77 BPM | ||
| Galavar Khali | Swapnil Bandodkar | G Major | 8 | 9B | 172 BPM |