Chanticleer's 'Byrd: Sing joyfully unto God' had a release date set for January 1, 1991. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Byrd: Sing joyfully unto God's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Psallite!". In this album, this song's track order is #15. Byrd: Sing joyfully unto God is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Byrd: Sing joyfully unto God by Chanticleer having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Promptuarium musicum, Pars Tertia: Osculetur me osculo oris sui | Vincenzo Bertolusi, Raphael Pichon, Ensemble Pygmalion | F♯ Minor | 2 | 11A | 124 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| O nata lux | Thomas Tallis, The Sixteen, Harry Christophers | B♭ Minor | 1 | 3A | 81 BPM | ||
| As one who has slept | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | D Major | 0 | 10B | 76 BPM | ||
| Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere | The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 83 BPM | ||
| Byrd: Mass for Five Voices - 04. Credo | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Minor | 2 | 1A | 81 BPM | ||
| Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
| Crucifixus a 16 | Antonio Caldara, Les Cris De Paris, Geoffroy Jourdain | A Minor | 2 | 8A | 85 BPM | ||
| Ecce beatam lucem à 40 | Alessandro Striggio, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 126 BPM | ||
| Salvum fac populum tuum, WAB 40 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
| Mother Of God, Here I Stand | John Tavener, Choir of Merton College, Oxford, Benjamin Nicholas | F Major | 1 | 7B | 68 BPM | ||
| Byrd: Mass for Four Voices - 01. Kyrie | William Byrd, Peter Phillips, The Tallis Scholars | G Minor | 2 | 6A | 74 BPM | ||
| Purcell: Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Chanticleer, Capriccio Stravagante, Skip Sempé, Joseph Jennings | G Major | 0 | 9B | 126 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Stabat Mater pour dix voix et basse continue: V. Sancta Mater, istud agas | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A Major | 0 | 11B | 80 BPM | ||
| Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
| Tenuisti manum, MH 695 | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Veni sponsa Christi, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | B♭ Major | 2 | 6B | 98 BPM |