Ryuichi Sakamoto, Claudio Ferrarini's ' "Lost Theme (Love Theme) - From the Film “Femme Fatale”" was released on its scheduled release date, November 28, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Ryūichi Sakamoto: The Legend". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Italy. Lost Theme (Love Theme) - From the Film “Femme Fatale” is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lost Theme (Love Theme) - From the Film “Femme Fatale” by Ryuichi Sakamoto, Claudio Ferrarini having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glimpse of Her | Trevor Kowalski | D♭ Minor | 2 | 12A | 81 BPM | ||
| Flower blooming in my way | Hoshiko Yamane | G Major | 3 | 9B | 100 BPM | ||
| Drive My Car (The truth, no matter what it is, isn't that frightening) | Eiko Ishibashi | F♯ Major | 0 | 2B | 76 BPM | ||
| Elegy | Gabríel Ólafs | E♭ Major | 1 | 5B | 68 BPM | ||
| 生き神 | Marihiko Hara | A♭ Minor | 1 | 1A | 89 BPM | ||
| Joy of Living | yanaco | E Minor | 2 | 9A | 125 BPM | ||
| INCIDENT I | Yuta Bandoh, Ensemble FOVE | E Minor | 5 | 9A | 112 BPM | ||
| マジエルのまどろみ- Majel's Slumber | 磯田健一郎 | G Minor | 1 | 6A | 96 BPM | ||
| Fate | Yuta Bandoh | A♭ Major | 4 | 4B | 113 BPM | ||
| Kujira No Niwa | 角銅真実 | C Major | 5 | 8B | 168 BPM | ||
| Openheimer’s (Arr. for flutes, harp and electronics by Claudio Ferrarini) | Ryuichi Sakamoto, Claudio Ferrarini | D Minor | 2 | 7A | 65 BPM | ||
| Let go | Divine Breath | D♭ Minor | 2 | 12A | 150 BPM | ||
| Beni | Yoko Kanno | F♯ Major | 2 | 2B | 86 BPM | ||
| Toda al Hakol - Mvt I | Asaf Sagiv, Yuki Numata Resnick, Ben Russell, Caleb Burhans, Clarice Jensen, Stephen Karr | D♭ Major | 0 | 3B | 48 BPM | ||
| Missing V.2 | Eiko Ishibashi | E♭ Minor | 2 | 2A | 142 BPM | ||
| Marginalia #186 | Masakatsu Takagi | B♭ Major | 3 | 6B | 102 BPM | ||
| Coeur | Sébastien Tellier | C Minor | 1 | 5A | 114 BPM | ||
| A Freezing White Mist | Lauri Porra, Mumintrollen | B Minor | 0 | 10A | 59 BPM | ||
| 隣に | Taisei Iwasaki | E♭ Major | 0 | 5B | 72 BPM | ||
| 水刻過山的足跡 Water Etched Landscape | Cicada | B♭ Major | 0 | 6B | 133 BPM | ||
| KAWANABE | Yuta Bandoh, Kohei Ueno | E♭ Major | 4 | 5B | 192 BPM | ||
| A Sad Tale's Best for Winter | Damian Scholl | A Minor | 1 | 8A | 112 BPM | ||
| Patterned Ground | Roger Eno, Vocalconsort Berlin, Christian Badzura | B♭ Major | 3 | 6B | 135 BPM | ||
| Andata (Arr. for flutes, harp and electronics by Claudio Ferrarini) | Ryuichi Sakamoto, Claudio Ferrarini | A♭ Minor | 3 | 1A | 70 BPM | ||
| Saeko and Naruse (Mischief) | Aska Matsumiya | E♭ Major | 1 | 5B | 71 BPM |