Vipin Sachdeva's ' "Radha Ka Tu Manhar" was released on its scheduled release date, January 1, 1991. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hariharan, Vipin Sachdeva's "Hare Rama Hare Krishna" album is number 6 out of 11. On top of that, India appears to be the country where this track was created. Radha Ka Tu Manhar is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Radha Ka Tu Manhar by Vipin Sachdeva to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Athra Baras Ki Ho Gayi | Udit Narayan, Alka Yagnik | B Minor | 9 | 10A | 90 BPM | ||
| O Janeman | Shailendra Singh | A Minor | 9 | 8A | 124 BPM | ||
| Tujhe Kitna Pyar Karen | Lata Mangeshkar, Shabbir Kumar | A Minor | 7 | 8A | 115 BPM | ||
| Dono Hi Mohabbat Ke | Altaf Raja | B♭ Minor | 8 | 3A | 168 BPM | ||
| Jane Ham Sadak Ke Logon Se | Mohammed Rafi, Laxmikant–Pyarelal | B♭ Minor | 5 | 3A | 82 BPM | ||
| Paara Paara Na Kar | Sukhwinder Singh | B Minor | 9 | 10A | 106 BPM | ||
| Tu Kisi Aur Se Milne Ke Bahane | Vinod Rathod | E♭ Minor | 6 | 2A | 78 BPM | ||
| Dil Ka Haal | Altaf Raja | F Major | 6 | 7B | 82 BPM | ||
| Har Kasam Tod Di | Madhusmita | B Major | 2 | 1B | 116 BPM | ||
| Ooyee Ooyee Meri Amma | Poornima | A♭ Minor | 8 | 1A | 137 BPM | ||
| Deewane Dil | Hariharan, Preeti Uttam | D Major | 5 | 10B | 155 BPM | ||
| Karz Chukana Hai | Nitin Mukesh | A♭ Minor | 8 | 1A | 129 BPM | ||
| Ae Mere Dil Bata Kya Bura | Agam Kumar Nigam | G Minor | 7 | 6A | 157 BPM | ||
| Pyar Kahe Banaya Ram Ne | Alka Yagnik | B Minor | 9 | 10A | 173 BPM | ||
| Ham To Chale Pardes | Mohammed Rafi, Laxmikant–Pyarelal | E♭ Minor | 4 | 2A | 132 BPM | ||
| Mausam Ye Suhana Hai | Usha Mangeshkar, Jaishree Shivram | A Major | 6 | 11B | 95 BPM | ||
| Dard To Rukne Ka Ab Naam Nahin Leta | Bhupinder Singh | E Minor | 6 | 9A | 105 BPM | ||
| Coming Coming Coming | Alka Yagnik | A Major | 8 | 11B | 90 BPM | ||
| Patni Pati Ke Liye | Shankar Mahadevan | G Minor | 8 | 6A | 148 BPM | ||
| Zuba Zuba | Sapna Mukherjee | A♭ Major | 8 | 4B | 117 BPM | ||
| Juda Hoke Tumse Kidhar Jayenge | Vipin Sachdeva | A Minor | 5 | 8A | 164 BPM | ||
| Jano Meri Jano | Bappi Lahiri | B Minor | 5 | 10A | 82 BPM | ||
| Mohabbat Ab Tijarat Ban Gai Hai | Anwar, Laxmikant–Pyarelal | G Minor | 5 | 6A | 127 BPM | ||
| Aaja Sanam Meri | Sukhwinder Singh | E♭ Major | 2 | 5B | 92 BPM | ||
| Dukh Sukh Ki | Chandrashekhar Gadgil, R. D. Burman | B Minor | 4 | 10A | 128 BPM |