"Myrthen, Op. 25: I. Widmung (Arr. for Cello & Piano)" by Robert Schumann, Raphaela Gromes, Julian Riem had its release date on September 25, 2020. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Myrthen, Op. 25: I. Widmung (Arr. for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Myrthen, Op. 25: I. Widmung (Arr. for Cello & Piano) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. The popularity of Myrthen, Op. 25: I. Widmung (Arr. for Cello & Piano) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Myrthen, Op. 25: I. Widmung (Arr. for Cello & Piano) by Robert Schumann, Raphaela Gromes, Julian Riem to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pavane, Op. 50 (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Gabriel Fauré, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 81 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Beethoven: Violin Concerto, Op. 61 in D Major: II. Larghetto | Ludwig van Beethoven, Midori, Daniel Dodds, Lucerne Festival Strings | G Major | 0 | 9B | 92 BPM | ||
| Reflection No. 5 (With Surprises) | Camille Thomas, Julien Brocal | F Major | 1 | 7B | 80 BPM | ||
| Violin Concerto No. 1, Op. 20: II. Andante Espressivo | Camille Saint-Saëns, Leia Zhu, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | B Major | 0 | 1B | 77 BPM | ||
| Souvenir de Spa, Op. 2: VI. Allegro | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D Major | 5 | 10B | 76 BPM | ||
| 2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano) | Anton Rubinstein, Raphaela Gromes, Julian Riem | B Major | 1 | 1B | 102 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | F Major | 0 | 7B | 102 BPM | ||
| Introduction et rondo capriccioso in A minor, Op. 28 | Camille Saint-Saëns, Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra | A Minor | 3 | 8A | 139 BPM | ||
| Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
| Liebeslieder-Walzer, Op. 52: No. 6, Ein kleiner, hübscher Vogel (Arr. for Viola & Piano by Dana Dörken and Adrien La Marca) | Johannes Brahms, Danae Dörken, Adrien La Marca | G Major | 0 | 9B | 138 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | F Major | 0 | 7B | 102 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied. Allegretto | Fanny Mendelssohn, Nash Ensemble | D Major | 0 | 10B | 99 BPM | ||
| Waldszenen, Op. 82: No. 9, Abschied (Transcr. Soltani for Cello and Piano) | Robert Schumann, Kian Soltani, Julien Quentin | E♭ Minor | 2 | 2A | 81 BPM | ||
| 6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
| L'Abbandono | Giovanni Allevi | F Major | 5 | 7B | 67 BPM | ||
| Prayer for the Ukraine (Arr. for Cello and Orchestra by Julian Riem) | Valentin Silvestrov, Raphaela Gromes, Ukraine National Symphony Orchestra, Volodymyr Sirenko | D♭ Major | 3 | 3B | 116 BPM | ||
| Cadenza (to Beethoven: Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo) | Camille Saint-Saëns, María Dueñas | D Major | 0 | 10B | 82 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: IV. Menuett | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | A Major | 1 | 11B | 133 BPM | ||
| Élégie (Arr. for Cello & Orchestra) | Jules Massenet, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | F♯ Major | 1 | 2B | 69 BPM | ||
| Cello Concerto in F Major: I. Allegro moderato | Marie Jaell, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | C Major | 1 | 8B | 69 BPM | ||
| 7 Variations on Bei Männern, welche Liebe fühlen, WoO 46: Variation 6 | Ludwig van Beethoven, Simon Velthuis | F Major | 0 | 7B | 102 BPM | ||
| Bachianas Brasileiras No. 1: 2. Prelúdio (Modinha) (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Agnus Dei, "In memoriam Oleg Kagan": I. Agnus Dei (Larghetto) | Tigran Mansurian, Roeland Hendrikx Ensemble | F Major | 0 | 7B | 102 BPM | ||
| Love Theme: Kmotr | Prague Cello Quartet | D Minor | 1 | 7A | 67 BPM |