Daniel Hart's 'No Clocks' had a release date set for April 28, 2023. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. No Clocks's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Peter Pan & Wendy (Original Score)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, No Clocks's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No Clocks by Daniel Hart having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Map of Utopia | Osvaldo Golijov, Arturo Rodriguez, Budapest Art Orchestra | C Major | 3 | 8B | 71 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| Excalibur | Daniel Hart | F Major | 1 | 7B | 137 BPM | ||
| The Boat | Rachel Portman | E Minor | 1 | 9A | 92 BPM | ||
| Backstory | Anne Nikitin | D Minor | 0 | 7A | 66 BPM | ||
| The Board | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Born to Darkness | Ivan Duch | B Minor | 5 | 10A | 70 BPM | ||
| Overture | Daniel Hart | C Minor | 5 | 5A | 150 BPM | ||
| Stranger In Town | Amie Doherty | A Minor | 2 | 8A | 110 BPM | ||
| A Tale | Javier Navarrete | A Minor | 0 | 8A | 70 BPM | ||
| Separation Brings the Witch-Rain | Rob Lane, Klara Ketelaars, The Chamber Orchestra Of London | G Minor | 4 | 6A | 104 BPM | ||
| How Can Love Be a Sin? | Paul Leonard-Morgan | G Major | 1 | 9B | 134 BPM | ||
| From Birth | Christophe Beck, Michael Paraskevas | D♭ Minor | 1 | 12A | 90 BPM | ||
| Mimicry | Jonny Greenwood | G Minor | 1 | 6A | 71 BPM | ||
| Stringing the Bow | Rachel Portman | G Minor | 1 | 6A | 57 BPM | ||
| Arthur's Theme | Marco Beltrami | B♭ Minor | 2 | 3A | 90 BPM | ||
| Motel | Emile Mosseri | A♭ Minor | 5 | 1A | 127 BPM | ||
| One With the Wind | Jan Miserre, John Gürtler | B♭ Major | 2 | 6B | 87 BPM | ||
| Leaving the Farm | Marco Beltrami | E Major | 1 | 12B | 83 BPM | ||
| Two Hearts | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| The Double Theme - Version 1 | Andrew Hewitt | F♯ Major | 3 | 2B | 140 BPM | ||
| Oscar Strikes Back | Johan Söderqvist | B Minor | 2 | 10A | 78 BPM | ||
| Phantom Thread I | Jonny Greenwood | E Minor | 2 | 9A | 79 BPM | ||
| Jett's Got Bars | Kris Bowers | C Major | 4 | 8B | 52 BPM | ||
| Kathy and Tommy | Rachel Portman | B Minor | 1 | 10A | 80 BPM |