Omar Mollo's 'Los Cosos de al Lao' had a release date set for January 1, 2012. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 13 in Barrio Sur by Omar Mollo. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, Los Cosos de al Lao's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Los Cosos de al Lao by Omar Mollo is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Porque La Quise Tanto | Miguel Montero, Mariano Mores | A Minor | 2 | 8A | 85 BPM | ||
| Anoche - En Vivo | Lautaro Mazza, Oscar De Elía | A Minor | 2 | 8A | 86 BPM | ||
| Sacále Punta | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Taquito Militar (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | A Minor | 7 | 8A | 113 BPM | ||
| Los Mareados | Omar Mollo | A Major | 6 | 11B | 124 BPM | ||
| La Gayola | Armando Pontier | A Minor | 3 | 8A | 122 BPM | ||
| Compasión | Carel Kraayenhof, Sexteto Canyengue, Omar Mollo | G Major | 3 | 9B | 164 BPM | ||
| De Puro Curda | Alfredo Belusi | G Major | 5 | 9B | 147 BPM | ||
| El Firulete | Sexteto Mayor | G Major | 4 | 9B | 100 BPM | ||
| Dandy | Rubén Juárez | C Major | 4 | 8B | 114 BPM | ||
| Por qué razón | Siempre Tango | F Minor | 3 | 4A | 132 BPM | ||
| Nunca Tuvo Novio | Rita Cortese | F Major | 3 | 7B | 105 BPM | ||
| Tu Angustia y Mi Dolor | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
| Derecho Viejo | La Juan D'Arienzo | F Minor | 4 | 4A | 135 BPM | ||
| Mas Solo Que Nunca | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| Volver a Vivir | Fabian Fazio, Gustavo Braga | C Minor | 3 | 5A | 126 BPM | ||
| Mi Espíritu Se Fue | Spinettango | E Minor | 4 | 9A | 111 BPM | ||
| Cantando | Tangos de Oro | D Major | 3 | 10B | 118 BPM | ||
| Cristal | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
| Después de todo | Omar Mollo, El Muro Tango | A Minor | 3 | 8A | 74 BPM | ||
| El Corazón al Sur | Maria Graña, Eladia Blazquez | A♭ Major | 2 | 4B | 63 BPM | ||
| Viejo Caballo | Carel Kraayenhof, Sexteto Canyengue, Omar Mollo | E Minor | 2 | 9A | 178 BPM | ||
| Final de Partitura | RICHAR MT | A Minor | 3 | 8A | 122 BPM | ||
| Amar y callar | Nelly Omar | F♯ Minor | 4 | 11A | 126 BPM | ||
| Te Estaba Esperando | Osvaldo Pugliese y su Orquesta | F♯ Major | 2 | 2B | 83 BPM |