Running Faster (Let The Train Come In) - Cut & Paste Mix
Kimyon, Naja Rosa
Todd Terry presents Studio Sessions (Volume 2)
8:22 August 1, 2011
BPM
127
Key
F Minor
Camelot
4A

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Running Faster (Let The Train Come In) - Cut & Paste Mix by Kimyon, Naja Rosa Song Details

Kimyon, Naja Rosa's 'Running Faster (Let The Train Come In) - Cut & Paste Mix' had a release date set for August 1, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Todd Terry presents Studio Sessions (Volume 2)". In this album, this song's track order is #3. Based on our statistics, Running Faster (Let The Train Come In) - Cut & Paste Mix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Running Faster (Let The Train Come In) - Cut & Paste Mix by Kimyon, Naja Rosa having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-9.043 dB
Acousticness
0%
Danceability
79%
Energy
88%
Instrumentalness
64%
Liveness
11%
Loudness
85%
Speechiness
9%
Valence
21%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records