Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa's 'Dolly Suite, Op. 56 (Orch. Rabaud): III. Le jardin de Dolly' had a release date set for January 1, 1987. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Dolly Suite, Op. 56 (Orch. Rabaud): III. Le jardin de Dolly's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 14 in Faure: Pelléas et Mélisande by Gabriel Fauré, Lorraine Hunt, Jules Eskin, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Dolly Suite, Op. 56 (Orch. Rabaud): III. Le jardin de Dolly is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly Suite, Op. 56 (Orch. Rabaud): III. Le jardin de Dolly by Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 85 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 131 BPM | ||
| Fantaisie, Op. 79 (Orch. Aubert) | Gabriel Fauré, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 128 BPM | ||
| Dolly Suite, Op. 56 (Orch. Rabaud): II. Mi-a-ou | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Concerto for Clarinet and Orchestra in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Alan Gilbert, Wenzel Fuchs | D Major | 0 | 10B | 91 BPM | ||
| Piano Concerto in One Movement: Andantino | Florence Beatrice Price, Jeneba Kanneh-Mason, Chineke! Orchestra, Leslie Suganandarajah | D Minor | 1 | 7A | 129 BPM | ||
| Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 76 BPM | ||
| Concerto for Harp and Orchestra in E-Flat Major, Op. 74: II. Tema con variazioni | Reinhold Glière, Richard Hickox, City of London Sinfonia, Rachel Masters | B Major | 0 | 1B | 81 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
| Holberg Suite, Op. 40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIe. Var. 4. Allegretto – Tempo I. Andante | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B Major | 0 | 1B | 138 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo (Vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | F Major | 2 | 7B | 128 BPM | ||
| Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
| 3 Small Tone Poems: No. 3, Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 89 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) | Ralph Vaughan Williams, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Piano Concerto No.2 in C Minor, Op.18: 1. Moderato | Sergei Rachmaninoff, Vladimir Ashkenazy, Moscow Philharmonic Orchestra, Kirill Kondrashin | C Minor | 1 | 5A | 70 BPM | ||
| Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM |