Lula Wiles's 'You Only Want Me When You Need Me' had a release date set for November 8, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Lula Wiles's "It's Cool" album is number 2 out of 2. You Only Want Me When You Need Me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of You Only Want Me When You Need Me by Lula Wiles to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Many Reasons to Run | Golden Shoals | G Major | 6 | 9B | 110 BPM | ||
| Basil Gone to Blossom | Caitlin Canty | C Major | 5 | 8B | 165 BPM | ||
| We Are One | Ana Egge | A Minor | 7 | 8A | 131 BPM | ||
| This Year | Chatham Rabbits | B♭ Major | 2 | 6B | 144 BPM | ||
| Cold Water | Lula Wiles | B♭ Major | 4 | 6B | 81 BPM | ||
| To Ohio | Della Mae | B Major | 6 | 1B | 148 BPM | ||
| Down in the Water | Mipso | E Major | 2 | 12B | 158 BPM | ||
| Better and Better | Maya De Vitry | C Major | 3 | 8B | 74 BPM | ||
| Wrong Way Round | Rachel Baiman | D Major | 2 | 10B | 113 BPM | ||
| Down in the Willow Garden | The Stray Birds | F♯ Major | 2 | 2B | 97 BPM | ||
| On and On | Dead Horses | G Major | 6 | 9B | 150 BPM | ||
| A Hard Rain's A-Gonna Fall | Heather Maloney | G Major | 5 | 9B | 63 BPM | ||
| Detroit Or Buffalo | Amanda Shires | C Major | 3 | 8B | 77 BPM | ||
| How Come You Call Me | Libby Rodenbough | D Minor | 3 | 7A | 84 BPM | ||
| Tenderhearted | Sara Watkins | C Major | 4 | 8B | 83 BPM | ||
| Everyone Knows | Mipso | C Major | 3 | 8B | 134 BPM | ||
| The Dreamer | Che Apalache | E♭ Major | 4 | 5B | 184 BPM | ||
| Maiden Voyage | Caroline Herring | A♭ Major | 4 | 4B | 111 BPM | ||
| Fight | Mary Bragg, Robby Hecht | G Major | 1 | 9B | 81 BPM | ||
| Good Enough | Molly Tuttle | C Major | 4 | 8B | 133 BPM | ||
| The Fading | Joan Shelley | A Major | 2 | 11B | 89 BPM | ||
| 48 Hours | Humbird | B Minor | 3 | 10A | 202 BPM | ||
| Angel from Montgomery | Rainbow Girls | C Major | 4 | 8B | 80 BPM | ||
| 1952 Vincent Black Lightning | Red Molly | E Major | 4 | 12B | 112 BPM | ||
| Flat Top Guitar | Ana Egge | G Major | 5 | 9B | 85 BPM |