12 Concerti Grossi Opus VI, Concerto 1 In D Major: Largo by Musica Amphion, Rémy Baudet, Arcangelo Corelli, Albert Brüggen, Sayuri Yamagata, Pieter-Jan Belder Song Details

"12 Concerti Grossi Opus VI, Concerto 1 In D Major: Largo" by Musica Amphion, Rémy Baudet, Arcangelo Corelli, Albert Brüggen, Sayuri Yamagata, Pieter-Jan Belder had its release date on December 20, 2006. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 34 in Corelli, Complete Works Part: 9 by Musica Amphion. The popularity of 12 Concerti Grossi Opus VI, Concerto 1 In D Major: Largo is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 12 Concerti Grossi Opus VI, Concerto 1 In D Major: Largo by Musica Amphion, Rémy Baudet, Arcangelo Corelli, Albert Brüggen, Sayuri Yamagata, Pieter-Jan Belder is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.319 dB
Acousticness: 85%
Danceability: 9%
Energy: 10%
Instrumentalness: 3%
Liveness: 26%
Loudness: 66%
Speechiness: 4%
Valence: 12%

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