Shubham Kumar, Ankit Pathak's ' "Saj Gai Ayodhya" was released on its scheduled release date, January 2, 2023. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Saj Gai Ayodhya only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Saj Gai Ayodhya is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Saj Gai Ayodhya by Shubham Kumar, Ankit Pathak having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parte Senur Hoi Jaibhi Dur | Babudhan Bedardi, Shweta Sargam | D♭ Minor | 7 | 12A | 124 BPM | ||
| Padaro Mhare Dess | Manesha Agarwal | D Major | 8 | 10B | 88 BPM | ||
| He Basukinath Baba | Shubham Kumar | D♭ Major | 10 | 3B | 140 BPM | ||
| Chala Na Devghar Nagariya | Shubham Kumar, Sakshi Sharma | F Minor | 3 | 4A | 90 BPM | ||
| Kusma | Shreechand, Akanksha Ramola | C Minor | 9 | 5A | 208 BPM | ||
| Chimte Di Chankar | Bandna Dhiman | A♭ Major | 10 | 4B | 132 BPM | ||
| Ja Dosre Par Rahiha Fida Do | Mithu Marshal | B Major | 9 | 1B | 100 BPM | ||
| Ho Neelma Ho Neelma | Nati King Kuldeep Sharma | E♭ Minor | 10 | 2A | 146 BPM | ||
| Jannat Ke Duniya Dekhe De | Raushan Rohi | C Major | 9 | 8B | 89 BPM | ||
| Kora Mein Suta Mota Jaiba | Khesari Lal Yadav | G Major | 9 | 9B | 96 BPM | ||
| Na Bulate Ho Mere Shyam | Larissa Almeida | D♭ Minor | 5 | 12A | 120 BPM | ||
| Pyar Ke Baad Judai Ke Baat | Radhe Shyam Rasiya, Priyanka | F♯ Major | 7 | 2B | 174 BPM | ||
| Parchhai | Vinay Tiwari | G Major | 7 | 9B | 75 BPM | ||
| Aayi Gaye Raghunandan | Amrita Chaturvedi, Upadhyay | D♭ Major | 9 | 3B | 144 BPM | ||
| Dard Dil Ke Sah Na Pabe Le | Tippu Samar Singh | F♯ Minor | 7 | 11A | 85 BPM | ||
| Jiya Lage Re - From "Vaidehi" | Monika Verma, Toshant Kumar | B Minor | 9 | 10A | 81 BPM | ||
| Aap Se Yun Mili Nazar (From "Whos There - Kaun Hai Vaha") | Shaan, Aishwarya Majmudar | F Major | 9 | 7B | 95 BPM | ||
| Aawo Aawo Saheliya | SP Jodha, Sonu Kanwar | A♭ Minor | 7 | 1A | 104 BPM | ||
| Hanuman Gosai | Shubham Kumar | A♭ Major | 10 | 4B | 90 BPM | ||
| Duniya Se Main Hara To Aaya Tere Dwar | Ankit Pathak | D♭ Major | 9 | 3B | 95 BPM | ||
| Nainital Ki Ek Jhalak - Pahadi | Man Joshi | F Major | 9 | 7B | 130 BPM | ||
| Jangal Me Mangal | Saurabh Sugam Yadav, Srishti Bharti | C Major | 9 | 8B | 109 BPM | ||
| Bhaile Aragh Ke Ber | Kalpana Patowary | F♯ Minor | 6 | 11A | 115 BPM | ||
| Mere Prabhu Ram Aaye Hai | Ankush Raja | A♭ Major | 9 | 4B | 108 BPM | ||
| Balidani Raja Ke Bada Ma | Ishwar Baghel | B♭ Minor | 10 | 3A | 138 BPM |