P.G. Six's ' "Come In/The Winter It Is Past" was released on its scheduled release date, August 8, 2025. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 20 in the song's album "The Well of Memory (2025 Expanded Edition)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Come In/The Winter It Is Past is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Come In/The Winter It Is Past by P.G. Six having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Afford | Akron/Family | D Major | 4 | 10B | 84 BPM | ||
| Airs (The Lost Track) | Loren Connors | B Major | 0 | 1B | 125 BPM | ||
| Bridget Cruise 3rd Air | Jim Ghedi, Toby Hay | F Major | 2 | 7B | 75 BPM | ||
| Meadow | Espers | B Minor | 4 | 10A | 117 BPM | ||
| Jede Forman Dolinu | Hala Strana | E Major | 4 | 12B | 71 BPM | ||
| Dance of the Everlasting Faint | Gwenifer Raymond | C Major | 2 | 8B | 125 BPM | ||
| Moth 9 | Mick Turner | E Major | 3 | 12B | 145 BPM | ||
| Airs 2 | Loren Connors | B Major | 0 | 1B | 127 BPM | ||
| Other shimmer compass | Jacken Elswyth | G Minor | 3 | 6A | 83 BPM | ||
| Stretching My Dollar in Plano | Bill MacKay, Ryley Walker | F Major | 3 | 7B | 96 BPM | ||
| Illusione | Filippo Ansaldi, Simone Sims Longo | F♯ Major | 3 | 2B | 142 BPM | ||
| Idumea | Bill MacKay, Nathan Bowles | A Major | 1 | 11B | 79 BPM | ||
| Roses And Snow - Vocal | Robbie Basho | C Major | 5 | 8B | 133 BPM | ||
| Anemometer | Bitchin Bajas, Natural Information Society | F Minor | 7 | 4A | 129 BPM | ||
| Ambiguity | David Thomas Broughton | G Major | 1 | 9B | 99 BPM | ||
| At Seventy-Three Miles | Andrew Tuttle, Michael Chapman | E♭ Major | 3 | 5B | 90 BPM | ||
| Blood Embrace | Bonnie Prince Billy, Matt Sweeney | E Minor | 1 | 9A | 104 BPM | ||
| I Really Should've Gone Out Last Night | Dirty Three | E♭ Major | 5 | 5B | 103 BPM | ||
| Meridian | Lone Mesa | A Minor | 1 | 8A | 80 BPM | ||
| Butter & Eggs | Shana Cleveland | A Minor | 3 | 8A | 71 BPM | ||
| Rondo in D - On Southern Themes | Harry Taussig | D Major | 1 | 10B | 81 BPM | ||
| Elk River | Six Organs Of Admittance | D Major | 2 | 10B | 138 BPM | ||
| Prayers | The EvenTunes | B Minor | 3 | 10A | 117 BPM | ||
| Aisling at Sea | Fohn | G Major | 2 | 9B | 129 BPM | ||
| Night Time Vineyards | James Blackshaw | E Major | 3 | 12B | 114 BPM |