"Adagio for Strings" by Samuel Barber, George Gershwin, Philharmonia Orchestra, Geoffrey Simon had its release date on October 21, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 18 in American Classics by George Gershwin, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Adagio for Strings is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings by Samuel Barber, George Gershwin, Philharmonia Orchestra, Geoffrey Simon is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| Mercy | Max Richter, Mari Samuelsen | B♭ Minor | 1 | 3A | 101 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
| Europe, After the Rain | Max Richter, BBC Philharmonic, Rumon Gamba | C Major | 0 | 8B | 86 BPM | ||
| Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher Pekinel | E♭ Major | 1 | 5B | 82 BPM | ||
| Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Andante | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Friedrich Gulda, Royal Concertgebouw Orchestra | F♯ Minor | 0 | 11A | 99 BPM | ||
| 14 Romances, Op. 34: No. 14, Vocalise (Arr. for Cello and Piano) | Sergei Rachmaninoff, Denis Shapovalov, Alexander Vershinin | B♭ Minor | 1 | 3A | 80 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, André Cluytens, French National Radio Orchestra | C Minor | 0 | 5A | 177 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | ||
| Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
| On The Nature Of Daylight - Orchestra Version | Max Richter, Baltic Sea Philharmonic, Kristjan Järvi | D♭ Major | 1 | 3B | 69 BPM | ||
| Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM | ||
| Albinoni / Giazotto: The Beatitudes (Adagio) | Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn | C Minor | 2 | 5A | 95 BPM | ||
| Agnus Dei, Op. 11 | Samuel Barber, Ormond College Choir, Douglas Lawrence | D Major | 0 | 10B | 104 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 137 BPM | ||
| Barber's Agnus Dei/The Sound Of Strength | Samuel Barber, Laura Wright, John Haywood | A Minor | 7 | 8A | 140 BPM | ||
| Canon and Gigue in D Major, P. 37: Canon in D Major, P. 37/1 (Orch. Seiffert) - Recorded 1983 | Johann Pachelbel, Frank Maus, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM |