Mike Herriott, Sean Harkness's 'It Came Upon the Midnight Clear' had a release date set for October 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in H2 - Herriott & Harkness's "Home for the Holidays" album is number 11 out of 12. On top of that, Canada appears to be the country where this track was created. Based on our statistics, It Came Upon the Midnight Clear's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of It Came Upon the Midnight Clear by Mike Herriott, Sean Harkness to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Celtic Dream | Ulla Van Daelen, Ulla Daelen Van | B Major | 2 | 1B | 93 BPM | ||
| Lisrim | National Gugak Center | B Minor | 3 | 10A | 69 BPM | ||
| どうか | 椿山日南子 | B Minor | 3 | 10A | 69 BPM | ||
| Quatre Pièces romantiques, Op. 30: III. Berceuse | Charlotte Sohy, Marie Vermeulin | F Minor | 0 | 4A | 62 BPM | ||
| -Walking by flashlight | Iñaki Alberdi | C Major | 3 | 8B | 103 BPM | ||
| Aire | Karl Edh, Marcus Bertzén | G Major | 0 | 9B | 138 BPM | ||
| Herz und Mund und Tat und Leben | Ensemble Contraste | G Major | 2 | 9B | 78 BPM | ||
| Misty | Quatuor Ébène | F Minor | 1 | 4A | 81 BPM | ||
| Improvisation | Antoine Boyer, Yeore Kim | A Minor | 2 | 8A | 79 BPM | ||
| Poundbury | Tamara Konstantin, Yu-Mien Sun, Jiaxin Lloyd Webber | A Major | 1 | 11B | 102 BPM | ||
| Prince Igor: Polovtsian Dances: a. Introduction. Andantino (Arr. for 2 Accordions by Gemini Duo) | Alexander Borodin, Gemini Duo | B Minor | 3 | 10A | 69 BPM | ||
| Ave Maria, CG 89a (After Bach's BWV 846) [Arr. C. Surrick for Lute & Viola da gamba] | Charles Gounod, Ronn McFarlane, Carolyn Surrick | B Major | 1 | 1B | 110 BPM | ||
| Progess Back | Money Wheels | B♭ Major | 1 | 6B | 210 BPM | ||
| Chorizo (Arr. for Baroque Ensemble by Eric Vloeimans and Judith Steenbrink) | Eric Vloeimans, Holland Baroque Society | D Major | 3 | 10B | 176 BPM | ||
| Barcarolle | Five Sense | G Major | 2 | 9B | 118 BPM | ||
| Without Words for Cello, Piano and Doublebass | Ingo Höricht | C Major | 1 | 8B | 131 BPM | ||
| Roundabouts | Time For Three | A Major | 3 | 11B | 156 BPM | ||
| Dienda | Quatuor Ébène | F Minor | 2 | 4A | 96 BPM | ||
| Salut d'Amour | HAUSER, London Symphony Orchestra | B Minor | 3 | 10A | 69 BPM | ||
| 星に願いを | 五十嵐紅トリオ | E Major | 2 | 12B | 75 BPM | ||
| Travel set | Nils Økland, Siri Dyvik, Bjarte Eike, Barokksolistene | G Major | 4 | 9B | 80 BPM | ||
| Ciao Mamma | Nicola Rizzuto | B♭ Major | 1 | 6B | 90 BPM | ||
| Sun of My Soul, Thou Savior Dear 1861 | Lennyn Montecinos, Soliat | F Major | 1 | 7B | 80 BPM | ||
| undae | Christian Amstätter, Federspiel | B Minor | 3 | 10A | 69 BPM | ||
| Talking and Talking and Talking and... | Otto Rissanen, Mireia Costa Viladrich | B Minor | 3 | 10A | 69 BPM |