Traditional, Pandit Raghunath Seth, Balkrishna Iyer, Ranjana Ramji, Sadhana Paiganker's ' "Raga Shuddh Sarang - Gat in Teentaal (Flute)" was released on its scheduled release date, 1997. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Ragas Shuddh Sarang, Dhani, Mishra Piloo & Dhun". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Raga Shuddh Sarang - Gat in Teentaal (Flute) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Raga Shuddh Sarang - Gat in Teentaal (Flute) by Traditional, Pandit Raghunath Seth, Balkrishna Iyer, Ranjana Ramji, Sadhana Paiganker having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goin'To Goa | Downing And Mayer | F Minor | 4 | 4A | 125 BPM | ||
| Instrumental Dance | Traditional, Daud Sadozai, Prabhu Edouard | A Minor | 6 | 8A | 156 BPM | ||
| Nartaki | Baluji Shrivastav, Re-Orient | D Major | 5 | 10B | 88 BPM | ||
| Bhairavi | Ty Burhoe, Kala Ramnath | F Major | 4 | 7B | 109 BPM | ||
| Found you again - Original | Suhel Rais Khan, Ustad Sultan Khan | F Major | 8 | 7B | 135 BPM | ||
| Raga Shree - Dhamar Taal | Purbayan Chatterjee, Ojas Adhiya | A Major | 9 | 11B | 99 BPM | ||
| Ramanama Sudharasa | Ranganayaki Rajagopalan | E Minor | 4 | 9A | 93 BPM | ||
| Emperor's Mare | Béla Fleck, Jie-Bing Chen, Vishwa Mohan Bhatt | F Minor | 0 | 4A | 130 BPM | ||
| Sherpa | Pratap Bhattarai, Kutumba | C Major | 3 | 8B | 78 BPM | ||
| Raag Bhimpalasi | Pawan Krishna | D Minor | 5 | 7A | 141 BPM | ||
| Jiyo Banjara, Loki Banjara | Divana | F♯ Major | 5 | 2B | 117 BPM | ||
| Raag Gujri Todi | Amaan Ali Bangash | D♭ Major | 5 | 3B | 156 BPM | ||
| Dream (Raag Tilak Nat) - Radio Edit | Niladri Kumar | D Major | 6 | 10B | 161 BPM | ||
| Journey to Sedna | Baluji Shrivastav | B♭ Minor | 2 | 3A | 121 BPM | ||
| Dhun in Rag Pahadi | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | C Major | 2 | 8B | 157 BPM | ||
| Toronto (Canada) 1989 - Tintal | Zakir Hussain & Dudhadev Dasgupta | B Minor | 8 | 10A | 178 BPM | ||
| Raag Yeman | Pawan Krishna | B Major | 3 | 1B | 144 BPM | ||
| Rang | Bickram Ghosh, Kala Ramnath, Rajhesh Vaidhya | C Major | 5 | 8B | 76 BPM | ||
| Aaji Bijan Ghare | Iman Halder | G Minor | 1 | 6A | 57 BPM | ||
| Sufi Bhakti | Debashish Bhattacharya | D Minor | 3 | 7A | 146 BPM | ||
| Nectarine (Raag Bihag) [feat. Praashekh Borkar] | Shoonyam, Praashekh Borkar | D Major | 5 | 10B | 90 BPM | ||
| Mahadeva Deva | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | A♭ Major | 1 | 4B | 158 BPM | ||
| Pashto | Alla Rakha, Zakir Hussain | E Minor | 4 | 9A | 159 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| 8.5 Beats | Anindo Chatterjee | B Minor | 6 | 10A | 124 BPM |