On January 1, 2000, the song "Telephone Talking" was released by The Real Group. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 13 in Commonly Unique by The Real Group. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of Telephone Talking is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Telephone Talking by The Real Group is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vem kan segla förutan vind | Stockholms Gosskör | D Minor | 1 | 7A | 97 BPM | ||
| Karin Boyes aftonbön | Egil Hovland, Karin Boye, Søren Birch | G Major | 1 | 9B | 103 BPM | ||
| Sir Duke (arr. A. Edenroth) | Stevie Wonder, The Real Group | G Minor | 2 | 6A | 108 BPM | ||
| Längtan till landet (Yearning for the Countryside), "Vintern rasat ut …" [Winter raged out] | Otto Jonas Lindblad, Lunds Studentsångare, Mats Paulson | G Major | 5 | 9B | 112 BPM | ||
| Sommarpolska | Fanny Källström | D Major | 4 | 10B | 111 BPM | ||
| Et hav, der vugger sig til ro nu (Arr. M. Bojesen) | Matti Borg, DR VokalEnsemblet, Michael Bojesen | A♭ Major | 2 | 4B | 86 BPM | ||
| Camilla | Gregers Lundh | D Major | 3 | 10B | 137 BPM | ||
| The Fire Dance of Luna | Darius Lim, Philharmonischer Kinderchor Dresden, Christoph Emanuel Sprenger, Maria Burna, Claus-Peter Nebelung | A Minor | 2 | 8A | 94 BPM | ||
| Why Should I Cry for You | Vocal Line | A♭ Major | 3 | 4B | 82 BPM | ||
| Kom Sommarvijnn | Tove Karoline Knutsen | A Major | 1 | 11B | 100 BPM | ||
| Just idag | Bo Kaspers Orkester | B Minor | 6 | 10A | 100 BPM | ||
| Mu Ruokto Lea Mu Váimmus | The Real Group | F Major | 2 | 7B | 78 BPM | ||
| Jag längtar hem | Bo Kaspers Orkester | C Major | 3 | 8B | 120 BPM | ||
| Jag kan se dig när | Carin Lundin, Johan Setterlind, Erik Söderlind, Mattias Welin, Mathias Algotsson, Daniel Fredriksson | A♭ Major | 2 | 4B | 88 BPM | ||
| Nature Boy | Eden Ahbez, The Real Group | D Minor | 1 | 7A | 175 BPM | ||
| Dotter Sion (Nummer 17 i 1986 års psalmbok) | Anders Widmark, Anders Widmark Trio | F♯ Major | 3 | 2B | 120 BPM | ||
| All at Once | Accent | E♭ Major | 2 | 5B | 121 BPM | ||
| Ekhaya Kusekude Na | RemnantX | F Major | 0 | 7B | 143 BPM | ||
| Don't You Worry 'Bout A Thing | New York Voices | A♭ Major | 6 | 4B | 124 BPM | ||
| Nu sorgsen går jag här - Siks oon mä suruinen | Anna Heikkinen & Längtans Kapell | A Minor | 1 | 8A | 129 BPM | ||
| Selene's Boat | Don MacDonald, Allison Girvan | G Minor | 1 | 6A | 80 BPM | ||
| Små människor | Kaj Magnusson, Vibafemba | A Major | 2 | 11B | 98 BPM | ||
| Så skimrande var aldrig havet | Evert Taube, Örebro Chamber Choir, Fred Sjoberg | F Major | 2 | 7B | 67 BPM | ||
| Till Mamma - Med Sång Av Sarah Riedel | Stefan Holmlund, Sarah Riedel | G Major | 3 | 9B | 135 BPM | ||
| Il est bel et bon | L'una E Cinque | B Minor | 3 | 10A | 102 BPM |