"Seeking Isaiah" by Mark Isham had its release date on 1983. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Pure Mark Isham". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Seeking Isaiah is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seeking Isaiah by Mark Isham having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Am I Dead? | Fernando Velázquez | D♭ Minor | 2 | 12A | 59 BPM | ||
| A Start | Jerry Goldsmith | A♭ Major | 1 | 4B | 85 BPM | ||
| A Contract With The Jury | Clinton Shorter | G Major | 0 | 9B | 77 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Exposed Heart | Randy Edelman | E Major | 1 | 12B | 86 BPM | ||
| Dolce Affetto | Elena Vesova | A Minor | 0 | 8A | 67 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| First Hurdle Down | Martin Phipps | A♭ Minor | 2 | 1A | 108 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| The Tub Room | Mark Isham | A Major | 1 | 11B | 155 BPM | ||
| Almost Kiss | Robert Duncan | C Minor | 0 | 5A | 120 BPM | ||
| The Barn | Deborah Lurie | F♯ Major | 1 | 2B | 73 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| Foresting | Matthijs Dierckx | E♭ Major | 1 | 5B | 70 BPM | ||
| Campfire | William Ross | E♭ Major | 0 | 5B | 50 BPM | ||
| My Octopus Teacher Opening Titles | Kevin Smuts, Matthew Dennis | E Minor | 3 | 9A | 141 BPM | ||
| Time Passing II | Mark Isham | A Major | 1 | 11B | 82 BPM | ||
| We Took To The Skies | Steven Price | A♭ Major | 2 | 4B | 114 BPM | ||
| Presidential Proclamation | W.G. Snuffy Walden | G Major | 1 | 9B | 84 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| Teaching Kung Fu | Nicholas Pike | F Major | 1 | 7B | 73 BPM |