Dolly Kay's ' "How Could Red Riding Hood Be Good? (Recorded October 1926)" was released on its scheduled release date, December 11, 2014. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 1920's Blues and Jazz Vocals (Encore 2) [Recorded 1923-1928], so we believe that "How Could Red Riding Hood Be Good? (Recorded October 1926)" is a single. In terms of popularity, How Could Red Riding Hood Be Good? (Recorded October 1926) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of How Could Red Riding Hood Be Good? (Recorded October 1926) by Dolly Kay is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reaching for the Moon | Roy Fox & His Band | E♭ Major | 3 | 5B | 105 BPM | ||
| Sunday | Abe Lyman | G Major | 3 | 9B | 103 BPM | ||
| Prove It on Me Blues - Alternate Take | Ma Rainey | E Minor | 2 | 9A | 163 BPM | ||
| Find Me a Primitive Man (feat. the Colonial Club Orchestra) | Libby Holman, The Colonial Club Orchestra | E♭ Major | 2 | 5B | 165 BPM | ||
| If I Can't Have You (Recorded June, 1922) | Dolly Kay | D♭ Major | 2 | 3B | 78 BPM | ||
| There is a Tavern in the Town | Rudy Vallee | B♭ Major | 5 | 6B | 115 BPM | ||
| Never Swat A Fly | McKinney's Cotton Pickers | F Major | 4 | 7B | 110 BPM | ||
| Alone with My Dreams | Jack Buchanan | G Major | 2 | 9B | 127 BPM | ||
| Why Am I so Romantic? | Sam Lanin & His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| Makin' Whoopee | Eddie Cantor | G Major | 2 | 9B | 118 BPM | ||
| Turn On The Heat | Jack Hylton, Jack Jackson, Phillippe Brun, Jack Hylton Orchestra, Leo Vauchant | A♭ Major | 5 | 4B | 97 BPM | ||
| Got To Cool My Doggies Now - Remastered 1988 | Leona Williams | F♯ Major | 2 | 2B | 143 BPM | ||
| Bottoms Up | Nat Shilkret & His Orchestra | C Minor | 2 | 5A | 185 BPM | ||
| Second Hand Rose | Fanny Brice | D Major | 2 | 10B | 116 BPM | ||
| The First Time I Saw You | Jimmie Lunceford | C Major | 3 | 8B | 78 BPM | ||
| Keep Sweeping the Cobwebs off the Moon | Ted Lewis, Ruth Etting | E Minor | 2 | 9A | 163 BPM | ||
| Sweet Man O' Mine (Recorded August, 1922) | Dolly Kay | F♯ Minor | 2 | 11A | 74 BPM | ||
| Me and You | Ivie Anderson, The Duke & Beyond | D Minor | 4 | 7A | 97 BPM | ||
| Me and the Man in the Moon | Helen Kane | E Minor | 2 | 9A | 163 BPM | ||
| Booze and Blues | Ma Rainey | E Minor | 2 | 9A | 163 BPM | ||
| I Know That My Baby Is Cheating on Me | Sophie Tucker | E Minor | 2 | 9A | 163 BPM | ||
| Don't Ever Walk in the Shadows | Bud Flanagan, Chesney Allen | E Minor | 3 | 9A | 113 BPM | ||
| Five Foot Two, Eyes Of Blue | Art Landry & His Orchestra | B♭ Major | 3 | 6B | 110 BPM | ||
| My Daddy's Calling Me | Irene Scruggs | C Major | 2 | 8B | 82 BPM | ||
| She's the Sweetheart of Six Other Guys (Alternate Version) [Recorded April 1928] | Billy Jones, Ernest Hare | E Minor | 2 | 9A | 120 BPM |