"Whoever You Are Come Forth" by Kate Moore had its release date on October 14, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Open Road". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The popularity of Whoever You Are Come Forth is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Whoever You Are Come Forth by Kate Moore having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Molodost | Pascal Schumacher, Echo Collective | E♭ Minor | 1 | 2A | 80 BPM | ||
| Unveiled | Hildur Guðnadóttir, Skúli Sverrisson, Guðni Franzson | A Minor | 0 | 8A | 94 BPM | ||
| St Birgitta Hymn - Rosa Rorans Bonitatem | Trio Mediæval, Arve Henriksen | F Minor | 0 | 4A | 105 BPM | ||
| A Minor Benediction | Yaroslav Medvedev-Taraldset, Edmund Percival Montfort | E♭ Minor | 2 | 2A | 104 BPM | ||
| Shell | Jóhann Jóhannsson, Echo Collective | A Minor | 0 | 8A | 96 BPM | ||
| Let Me Sleep | Iskra String Quartet, Iskra Strings, David Julyan | D♭ Minor | 3 | 12A | 81 BPM | ||
| In Circles | Pieter de Graaf | F Major | 1 | 7B | 178 BPM | ||
| Das Buch der Klänge: Pt. I | Hans Otte, Ralph van Raat | C Major | 0 | 8B | 163 BPM | ||
| Für Alina in B Minor | Arvo Pärt, Khatia Buniatishvili | F♯ Major | 0 | 2B | 85 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Tree Rings | David Tarrodi | B♭ Major | 1 | 6B | 131 BPM | ||
| Gold | Jóhann Jóhannsson, Echo Collective | D Minor | 1 | 7A | 101 BPM | ||
| Hold Your Hand Out, Naughty Boy - 1913 | Kate Moore | F Minor | 3 | 4A | 57 BPM | ||
| 17 - 25 | Cello Octet Amsterdam | F Major | 0 | 7B | 127 BPM | ||
| Ghosts | Hauschka | G Minor | 2 | 6A | 124 BPM | ||
| Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
| The dark and the light and everything in between | Sophia Jani, Kontai Ensemble | A Minor | 1 | 8A | 69 BPM | ||
| Tower | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 81 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| Call You Mabel | Emilie Levienaise-Farrouch | C Major | 3 | 8B | 160 BPM | ||
| Aether | Hildur Guðnadóttir | A Minor | 0 | 8A | 169 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Breathe | Erik K Skodvin, Rauelsson, Otto A. Totland | E♭ Minor | 1 | 2A | 93 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | E♭ Minor | 2 | 2A | 104 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM |