"Vieni sul mar" by Traditional, André Rieu had its release date on January 1, 2002. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Vieni sul mar's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Walzertraum by André Rieu. The song's track number on the album is #12 out of 19 tracks. Based on our data, Germany was the country where this track was produced or recorded. Vieni sul mar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vieni sul mar by Traditional, André Rieu has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vieni sul mar being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) | Ludwig van Beethoven, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | D Major | 0 | 10B | 83 BPM | ||
| As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
| To You, I Lift up My Soul | Christopher Walker | F♯ Minor | 1 | 11A | 96 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Orbis in Silentio - Remix | Gregorian Chant, Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Hold Me Darkness, Lesiem | F♯ Minor | 1 | 11A | 133 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| St. Lawrence, Jewry: Spliced Surprise Major | Traditional, Bell Ringing Teams | B♭ Minor | 3 | 3A | 99 BPM | ||
| The Nutcracker Suite, Op. 71a: IV. Russian Dance, "Trepak" (arr. M. Lake) | Pyotr Ilyich Tchaikovsky, United States Air Force Band, Lowell Graham | D Minor | 2 | 7A | 77 BPM | ||
| Meine Seele erhebt den Herrn | Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd | D Minor | 1 | 7A | 108 BPM | ||
| Suantraí | Fionntán Ó Cearbhaill, Desmond Earley, Niamh McCullough, The Choral Scholars of University College Dublin | B Major | 1 | 1B | 79 BPM | ||
| Advent Song | Adam Václav Michna z Otradovic, Symposium Musicum, Gutta musicae, Svatopluk Jányš | B♭ Major | 1 | 6B | 102 BPM | ||
| The First Nowell - Arr. for choir and soprano by Ola Gjeilo | Traditional, UCI Chamber Singers, Irene Messoloras, Isabelle Knowles | F♯ Minor | 1 | 11A | 72 BPM | ||
| Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | ||
| Attende Domine | Thomas Aquinas. et al., Kitty Cleveland | D♭ Major | 2 | 3B | 78 BPM | ||
| Traditional: Introitus Dominica Pentecostes "Spiritus Domini" | Traditional, Cistercian Monks of Stift Heiligenkreuz | E♭ Major | 0 | 5B | 65 BPM | ||
| La cisconera | Juan Pablo Fernández Ramos | E♭ Minor | 1 | 2A | 93 BPM | ||
| Magi veniunt | Jacob Clemens non Papa, New York Polyphony | A♭ Minor | 1 | 1A | 81 BPM | ||
| Takach: ’Twas in the Moon of Wintertime | Timothy C. Takach, Ames Chamber Artists | G Major | 1 | 9B | 91 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| Wiltshire "Through All the Changing Scenes of Life" | George Thomas Smart, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | B♭ Major | 0 | 6B | 130 BPM | ||
| Traditional: Missa pro defunctis: Kyrie | Traditional, Cistercian Monks of Stift Heiligenkreuz | F Major | 1 | 7B | 179 BPM | ||
| Ave Maria | Josquin des Prez, Voices of Ascension Chorus, Dennis Keene | C Major | 1 | 8B | 136 BPM |