The Gaytones's ' "Jamaican Hi-Lite Pt. 2" was released on its scheduled release date, January 1, 1972. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Jamaican Hi-Lite Pt. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Darling Ooh! (Expanded Version) by Errol Dunkley. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jamaican Hi-Lite Pt. 2 is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Jamaican Hi-Lite Pt. 2 by The Gaytones is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bring The Couchie Come | Niney The Observer, The Reggae Crusaders | C Major | 7 | 8B | 130 BPM | ||
| Soul for Sale | Cimarons | A♭ Major | 5 | 4B | 90 BPM | ||
| When Will I See You Again | Marcia Griffiths | C Major | 3 | 8B | 206 BPM | ||
| Secretly | Hortense Ellis | G Major | 4 | 9B | 84 BPM | ||
| Heavy Heavy Load - Extended Mix | Larry Marshall | G Major | 4 | 9B | 140 BPM | ||
| Jah Guide I | Little John, Toyan | A Minor | 6 | 8A | 140 BPM | ||
| Original Six, Part 1 | Ken Boothe | D♭ Minor | 6 | 12A | 152 BPM | ||
| Everybody Needs Love | Slim Smith | F Minor | 6 | 4A | 153 BPM | ||
| 5 to 5 | Lloyd Charmers, The Hippy Boys | C Major | 9 | 8B | 142 BPM | ||
| Oh wicked man | Misty In Roots | D Major | 6 | 10B | 128 BPM | ||
| Life is Good | Thomas Leon King | G Major | 1 | 9B | 141 BPM | ||
| Love & Devotion | Caliban Rhodes | D♭ Minor | 6 | 12A | 152 BPM | ||
| Who You Gonna Run To? | The Shades | F Major | 8 | 7B | 112 BPM | ||
| Everybody Bawling | The Melodians, Tommy McCook, The Supersonics | A♭ Minor | 5 | 1A | 156 BPM | ||
| Midnight Hour | The Silvertones | F Minor | 4 | 4A | 163 BPM | ||
| My Whole World Is Falling Down | Ken Parker | C Major | 5 | 8B | 142 BPM | ||
| I Was Born to Be Loved | The Righteous Flames | G Major | 4 | 9B | 84 BPM | ||
| There's a Reward | Joe Higgs, Roy Wilson | A Major | 6 | 11B | 122 BPM | ||
| We Belong Together | Phyllis Dillon | F Major | 3 | 7B | 145 BPM | ||
| Rockers Nu Crackers | Glen Washington | A♭ Major | 5 | 4B | 156 BPM | ||
| Travelling Man | The Techniques, Tommy McCook, The Supersonics | D♭ Major | 4 | 3B | 97 BPM | ||
| The Drifter | Dennis Walks | G Major | 7 | 9B | 74 BPM | ||
| Chalis to Chalis | Tapper Zukie | G Major | 3 | 9B | 136 BPM | ||
| Me and You | Carlton & The Shoes | B Minor | 5 | 10A | 108 BPM | ||
| Wherever I Lay My Hat | Delano Stewart | B♭ Major | 5 | 6B | 116 BPM |