On January 1, 1987, the song "Soul Shadows - Edit" was released by The Crusaders, Bill Withers. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. There are a total of 11 in the song's album "The Vocal Album". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Soul Shadows - Edit is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Soul Shadows - Edit by The Crusaders, Bill Withers having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| High On Sunshine | Commodores | D♭ Minor | 4 | 12A | 97 BPM | ||
| Saved by the Bell | Al Johnson | B Major | 8 | 1B | 101 BPM | ||
| Supernatural Feeling | The Blackbyrds | C Major | 4 | 8B | 98 BPM | ||
| Payday | Boz Scaggs | G Major | 6 | 9B | 100 BPM | ||
| Hopeful | Electro Deluxe | B♭ Minor | 8 | 3A | 88 BPM | ||
| Harlem River Drive | Bobbi Humphrey | F Minor | 7 | 4A | 100 BPM | ||
| No Trouble on the Mountain | Richard "Groove" Holmes | A Minor | 6 | 8A | 111 BPM | ||
| On the Dunes | Donald Fagen | G Major | 3 | 9B | 138 BPM | ||
| To Prove My Love | Ned Doheny | A Minor | 6 | 8A | 113 BPM | ||
| Lose Myself | Shakatak | D Major | 5 | 10B | 101 BPM | ||
| Midnight Mile | Terry Callier | D Minor | 7 | 7A | 123 BPM | ||
| Brother Where Are You? | Freddie Cole | G Major | 6 | 9B | 118 BPM | ||
| Chant | Fourplay | E Minor | 7 | 9A | 110 BPM | ||
| Can I Touch You There | Leon Ware | B♭ Minor | 7 | 3A | 109 BPM | ||
| Blood Is Thicker Than Water | William DeVaughn | E Minor | 5 | 9A | 101 BPM | ||
| I Wanna Thank You | Johnny "Guitar" Watson | D♭ Major | 5 | 3B | 101 BPM | ||
| Can't Say Goodbye | Bobby Caldwell | G Major | 6 | 9B | 79 BPM | ||
| Rain Dance/Wanna Fly | Jeff Lorber Fusion | F Minor | 6 | 4A | 93 BPM | ||
| The Sweetest Pain | Dexter Wansel | A Minor | 5 | 8A | 99 BPM | ||
| Taste of Bitter Love | Gladys Knight & The Pips | G Minor | 8 | 6A | 109 BPM | ||
| Miss Mess | Brooklyn Funk Essentials, Anna Brooks, Iwan VanHetten | E Minor | 7 | 9A | 114 BPM | ||
| And Then There Was The Blues | The Crusaders | B Major | 5 | 1B | 169 BPM | ||
| Searching | Roy Ayers Ubiquity | E Minor | 8 | 9A | 169 BPM | ||
| Rio De Janeiro Blue | Joe Sample, Randy Crawford | D♭ Major | 4 | 3B | 111 BPM | ||
| London Lowdown | Ronny Jordan | E Minor | 8 | 9A | 110 BPM |