Anthony da Costa's 'Crossing the Line' had a release date set for September 15, 2022. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Anthony da Costa's "I Should Call My Mother" album is number 9 out of 11. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Crossing the Line's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Crossing the Line by Anthony da Costa to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Easy Way Out | Ken Yates | A Major | 5 | 11B | 122 BPM | ||
| What's Mine | Lucy Clearwater | A Major | 3 | 11B | 94 BPM | ||
| Not a Number | Robby Hecht | G Major | 7 | 9B | 90 BPM | ||
| If I Don't Go | Lula Wiles | B♭ Major | 2 | 6B | 117 BPM | ||
| Searching For The Truth | Katie Pruitt | F Major | 3 | 7B | 148 BPM | ||
| Sweetheart | Molly Parden, Hollow Hum | A Minor | 3 | 8A | 81 BPM | ||
| Take Me Back | Sarah Jarosz | B Major | 2 | 1B | 102 BPM | ||
| She Waits For Me to Come Back Down | Donovan Woods, Katie Pruitt | D♭ Major | 3 | 3B | 112 BPM | ||
| Go Steady (feat. Sarah Jarosz) - Acoustic Version | Anthony da Costa, Sarah Jarosz | G Major | 3 | 9B | 122 BPM | ||
| Sometimes You Think You Know | Anthony da Costa | G Major | 1 | 9B | 132 BPM | ||
| Lakes of Pontchartrain | Aoife O'Donovan, Jeremy Kittel | B Major | 2 | 1B | 56 BPM | ||
| Holding You | Robby Hecht, Caroline Spence | D Major | 2 | 10B | 95 BPM | ||
| What Do You Want From Yourself? | Aoife O'Donovan | A♭ Major | 1 | 4B | 138 BPM | ||
| Everybody Wants Their Person | Anthony da Costa | B♭ Major | 8 | 6B | 134 BPM | ||
| The Roving | Bonny Light Horseman, Eric D. Johnson, Josh Kaufman, Anaïs Mitchell | F Major | 5 | 7B | 138 BPM | ||
| Kilimanjaro (Acoustic) | Beta Radio | B♭ Major | 3 | 6B | 176 BPM | ||
| Messages | Anthony da Costa, Frances Cone | A♭ Major | 6 | 4B | 110 BPM | ||
| Yellow Dawn | Lydia Luce | B♭ Minor | 3 | 3A | 144 BPM | ||
| Fickle Heart | Ira Wolf | D♭ Major | 2 | 3B | 135 BPM | ||
| Good for Something | The Sea The Sea | B♭ Major | 3 | 6B | 188 BPM | ||
| Great Divide | Ira Wolf | F Major | 4 | 7B | 162 BPM | ||
| Golden (Acoustic) | Becca Mancari | E Major | 2 | 12B | 137 BPM | ||
| Are You There | Aoife O'Donovan | C Major | 3 | 8B | 132 BPM | ||
| Love Song (For the Apocalypse) | Ira Wolf | D Major | 3 | 10B | 118 BPM | ||
| Perennials | Ken Yates | G Major | 2 | 9B | 90 BPM |