"Ring for Freedom" by Miklós Rózsa had its release date on January 29, 1960. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Ring for Freedom's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Ring for Freedom is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ring for Freedom by Miklós Rózsa is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Invocation | Wojciech Kilar | A Major | 2 | 11B | 58 BPM | ||
| Gratus' Entry to Jerusalem | Miklós Rózsa | A Minor | 3 | 8A | 96 BPM | ||
| King Arthur: Tell Me Now (What You See) | Royal Philharmonic Orchestra | C Major | 2 | 8B | 76 BPM | ||
| Eternas | Armonias | B♭ Major | 1 | 6B | 145 BPM | ||
| Bram Stoker's Dracula: Mina / Dracula | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | B Minor | 1 | 10A | 80 BPM | ||
| Estrategia | Armonias | C Major | 1 | 8B | 140 BPM | ||
| Tempus | Solyn | B♭ Major | 1 | 6B | 87 BPM | ||
| The First Visit | Geoffrey Burgon | F Major | 1 | 7B | 113 BPM | ||
| Shane Theme - From "Shane" Original Soundtrack | Victor Young | F Major | 2 | 7B | 178 BPM | ||
| Piano Suite (Secondhand Lions) | Patrick Doyle | F Minor | 1 | 4A | 67 BPM | ||
| 633 Squadron: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| Lament for Cello & Orchestra | Simon Hussey | F Minor | 2 | 4A | 72 BPM | ||
| The Goondocks (Goonies Theme) | Dave Grusin | A Major | 2 | 11B | 87 BPM | ||
| The Cider House (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 88 BPM | ||
| Cutthroat Island (It’s Only Gold & End Credits) | City Light Symphony Orchestra | G Major | 2 | 9B | 130 BPM | ||
| The Double Double: Body Double / Double Indemnity | Pino Donaggio, Miklós Rózsa | F Major | 3 | 7B | 110 BPM | ||
| Cortege | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Madame Rosa | Philippe Sarde | A Minor | 1 | 8A | 89 BPM | ||
| A Variation On Scotty Tails Madeline | Shigeru Umebayashi | G Minor | 1 | 6A | 81 BPM | ||
| Lawrence Of Arabia: Theme | London Festival Orchestra, Stanley Black | A Major | 3 | 11B | 168 BPM | ||
| The Winter's Tale, Act II Scene 1: Florizel and Perdita's Tryst | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | F♯ Minor | 5 | 11A | 93 BPM | ||
| New Dreams | Gabriel Yared | F Major | 3 | 7B | 65 BPM | ||
| Entr'Acte | Miklós Rózsa | B♭ Major | 3 | 6B | 83 BPM | ||
| Space Station Docking - From "2001: A Space Odyssey" | Alex North | A Minor | 2 | 8A | 102 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM |