"Seventy-five" by Uwe Bossenz, Ingolfsson had its release date on January 15, 2021. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Uwe Bossenz, Ingolfsson's "Höllental (Original Soundtrack)" album is number 11 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Seventy-five's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seventy-five by Uwe Bossenz, Ingolfsson to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aquarium | Bitterdrop | A♭ Minor | 2 | 1A | 125 BPM | ||
| In the Deep | Jonathan Fitas | F Major | 3 | 7B | 100 BPM | ||
| 1.7_2-darlenesgun.aac | Mac Quayle | A♭ Major | 2 | 4B | 180 BPM | ||
| Sezione Aurea | Non Binary | D Major | 2 | 10B | 80 BPM | ||
| Reichstag | Nathan Micay | E Major | 7 | 12B | 98 BPM | ||
| Bounce Melody | Bounce Melody | D Major | 0 | 10B | 120 BPM | ||
| Turing | Uwe Bossenz, Ingolfsson | G Minor | 8 | 6A | 80 BPM | ||
| Morning Mist | Aliza Mammadova, Aliza | E♭ Major | 1 | 5B | 112 BPM | ||
| Wronged | Guillermo Martorell | G Minor | 1 | 6A | 108 BPM | ||
| Stars | Parviz Babayev, Puzriko | D♭ Minor | 2 | 12A | 73 BPM | ||
| En Tu Imaginacion | Universo De Oro | D♭ Minor | 1 | 12A | 110 BPM | ||
| Alba Con Il Vento In Poppa | Non Binary | D Minor | 3 | 7A | 90 BPM | ||
| Reclutamiento | Falsas Alarmas | C Major | 1 | 8B | 170 BPM | ||
| A Media Luz | Moon Vagrants | D Minor | 1 | 7A | 110 BPM | ||
| Anger | Ameshi | D♭ Major | 3 | 3B | 108 BPM | ||
| Cave Myth | Lavinia Concia | B Minor | 0 | 10A | 92 BPM | ||
| Sweet Poison | Liliya Kumar, Lofi Chills | D♭ Major | 2 | 3B | 105 BPM | ||
| I Think I Should Start At The Beginning | David Wingo | G Major | 1 | 9B | 144 BPM | ||
| Twenty-seven | Uwe Bossenz, Ingolfsson | G Minor | 0 | 6A | 131 BPM | ||
| A Los Pies | Hasta El Final | F♯ Minor | 2 | 11A | 110 BPM | ||
| 'How fragile we are.' | OGRE Sound | C Major | 7 | 8B | 180 BPM | ||
| Existence | WV | B♭ Minor | 6 | 3A | 112 BPM | ||
| Dureza Conservativa | Falsas Alarmas | B♭ Minor | 2 | 3A | 110 BPM | ||
| Trabajando Juntos | Hasta El Final | F Major | 1 | 7B | 85 BPM | ||
| Clear Breeze | Nira Volux | E♭ Minor | 4 | 2A | 99 BPM |