"Geistliche Chöre, Op. 69: Nr. 3 Abendlied" by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius had its release date on February 1, 1989. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius's "Josef Gabriel Rheinberger: Cantus Missae. Musica sacra II" album is number 14 out of 14. Based on our statistics, Geistliche Chöre, Op. 69: Nr. 3 Abendlied's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chöre, Op. 69: Nr. 3 Abendlied by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wild Duck, JW IV/18 | Leoš Janáček, Collegium Vocale Gent, Reinbert de Leeuw | E Minor | 1 | 9A | 128 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| Tre Körvisor - September | Wilhelm Stenhammar, Eric Ericson | B Minor | 1 | 10A | 81 BPM | ||
| Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D Minor | 2 | 7A | 168 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Hör mein Bitten, WoO 15 | Felix Mendelssohn, Julia Hamari, Ensemble '76 Stuttgart, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 2 | 5B | 101 BPM | ||
| Ad Pacem (Towards Peace) | Karl Jenkins, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | D Major | 0 | 10B | 83 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| If music be the food of love | Henry Purcell, Calmus Ensemble | F Minor | 2 | 4A | 77 BPM | ||
| Jesu, meine Freude, BWV 227: I. Choral "Jesu, meine Freude" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | E♭ Minor | 1 | 2A | 189 BPM | ||
| O sacrum convivium! | Olivier Messiaen, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 127 BPM | ||
| Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | ||
| Schaffe in mir, Gott, ein rein Herz, Op. 29, No. 2 | Johannes Brahms, Windsbacher Knabenchor, Martin Lehmann | G Major | 1 | 9B | 83 BPM | ||
| Mass in D Major, Op. 86 / Kyrie: Ib. Christe | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Minor | 1 | 6A | 78 BPM | ||
| Le Jardin Féerique | Maurice Ravel, Laurence Equilbey, Accentus | C Major | 1 | 8B | 137 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | ||
| Adoramus a sei voci | Claudio Monteverdi, Ensemble Vocal Européen de La Chapelle Royale, Philippe Herreweghe | E Major | 2 | 12B | 66 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 0 | 8B | 92 BPM | ||
| Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
| Funeral Ikos | John Tavener, Tenebrae, Nigel Short | A♭ Major | 0 | 4B | 107 BPM | ||
| Salvation is Created | Pavel Chesnokov, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | D Major | 1 | 10B | 108 BPM |