Bill Anderson's ' "I'm Leaving It Up To You" was released on its scheduled release date, February 1, 1964. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. I'm Leaving It Up To You's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Bill Anderson Sings by Bill Anderson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, I'm Leaving It Up To You's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of I'm Leaving It Up To You by Bill Anderson is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Play Another Slow Song | Johnny Duncan | A Major | 4 | 11B | 88 BPM | ||
| That's When My Woman Begins | Tommy Overstreet | G Major | 3 | 9B | 127 BPM | ||
| I'm Gonna Be a Country Boy Again | George Hamilton IV | C Major | 4 | 8B | 95 BPM | ||
| Till the End | Vern Gosdin | A Major | 3 | 11B | 93 BPM | ||
| You Are My Treasure | Jack Greene | G Major | 2 | 9B | 89 BPM | ||
| Soft, Sweet, Warm Wonderful You | George Morgan | G Major | 3 | 9B | 89 BPM | ||
| It Couldn't Have Been Any Better | Johnny Duncan | G Major | 5 | 9B | 126 BPM | ||
| Pass Me By (If You're Only Passing Through) | Janie Fricke | D Major | 3 | 10B | 108 BPM | ||
| 8 X 10 | Bill Anderson | E Major | 3 | 12B | 124 BPM | ||
| The Midnight Oil | Barbara Mandrell | F♯ Major | 3 | 2B | 81 BPM | ||
| Sittin' in an All Night Cafe | Warner Mack | F♯ Major | 5 | 2B | 161 BPM | ||
| Statue Of A Fool | Jack Greene | B♭ Major | 3 | 6B | 80 BPM | ||
| Just Hold My Hand | Johnny & Jonie Mosby | E Major | 4 | 12B | 102 BPM | ||
| Walk Out Backwards | Bill Anderson | D♭ Major | 5 | 3B | 190 BPM | ||
| Crystal Chandelier | Carl Belew | D Major | 4 | 10B | 117 BPM | ||
| Mockin' Bird Hill | George Jones and Gene Pitney | B♭ Major | 4 | 6B | 153 BPM | ||
| For The First Time | Jessi Colter | G Major | 4 | 9B | 108 BPM | ||
| I Never Once Stopped Loving You | Connie Smith | C Major | 4 | 8B | 99 BPM | ||
| Lillie's White Lies | Martin Delray | B♭ Major | 5 | 6B | 118 BPM | ||
| She's Gone, Gone, Gone | Lefty Frizzell | G Major | 5 | 9B | 97 BPM | ||
| Makin' Believe | The Kendalls | D Major | 4 | 10B | 117 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| (Jeannie Marie) You Were A Lady | Tommy Overstreet | F Major | 4 | 7B | 186 BPM | ||
| A Tear Fell | Billy 'Crash' Craddock | F♯ Major | 2 | 2B | 105 BPM | ||
| Still - Re-Recorded In Stereo | Bill Anderson | D Major | 1 | 10B | 94 BPM |