Rekha Rao's ' "Khol Da Belauj Ke Batam" was released on its scheduled release date, August 9, 2016. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rajesh Gupta's "Ganga Putra (Original Motion Picture Soundtrack)" album is number 10 out of 11. On top of that, India appears to be the country where this track was created. In terms of popularity, Khol Da Belauj Ke Batam is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Khol Da Belauj Ke Batam by Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deenanath Meri Baat | Lakhbir Singh Lakha | D Major | 7 | 10B | 86 BPM | ||
| Dena Ho To Dijiye Janam Janam Ka Sath | Deepak Ram | F♯ Major | 8 | 2B | 79 BPM | ||
| Mor Mukut Peetamber Sohe | Riya Brijwasi | A♭ Minor | 5 | 1A | 203 BPM | ||
| Itni Kripa Sanware Bhaye Rakhna | Aniruddhacharya Ji Maharaj | F Minor | 9 | 4A | 84 BPM | ||
| Mandir Ka Kona Unplugged | Rahul Sanwara | A Minor | 7 | 8A | 107 BPM | ||
| Gaura Nachan Lagi Re | Khushi Joshi | F♯ Minor | 8 | 11A | 106 BPM | ||
| Holi Mein Maje Karaa Dun | Rakesh Kala, Rekha Rao | D♭ Major | 8 | 3B | 106 BPM | ||
| Ant Samay Mein Shyam | Pramod Tripathi | D♭ Minor | 6 | 12A | 84 BPM | ||
| Teri Chinta Harne Wale | Ram Kumar Lakkha | G Major | 9 | 9B | 90 BPM | ||
| Meri Pehchan Sawarye Tere Naam Se | Reshmi Sharma | A Minor | 9 | 8A | 150 BPM | ||
| Main Jaha Bhi Rahu Barsana Mile | Sadhvi Purnima | D Major | 7 | 10B | 96 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Baanke Bihari Tere Nayna Kajraare | Bhaiya Krishan Das Ji | A♭ Major | 8 | 4B | 82 BPM | ||
| Om Shiv Om Shiv | Hemant Chauhan | E Major | 4 | 12B | 175 BPM | ||
| Meri Kuch Toh Majboori Hai | Rajni Rajasthani | G Major | 6 | 9B | 148 BPM | ||
| Hare Ka Sahara Aa Gaya | Ram Kumar Lakkha | F♯ Minor | 7 | 11A | 126 BPM | ||
| Ik Lota Bhaang Pila De | Pt. Ram Avtar Sharma, Rajnish Sharma | B♭ Minor | 7 | 3A | 150 BPM | ||
| Mhari Deraniya Jethaniya Roosgi Re | Rekha Rao | B Major | 7 | 1B | 107 BPM | ||
| SETH TO SANWARIYO | Bhagwat Suthar | C Major | 8 | 8B | 150 BPM | ||
| Man Ka Meet | Sheetal Pandey | D♭ Major | 7 | 3B | 77 BPM | ||
| Paan Ki Dukaan Pe | Tej Karan Rao, Rekha Rao | F♯ Major | 6 | 2B | 172 BPM | ||
| Khatu Shyam Tera Naam | Roshan Prince | D Major | 9 | 10B | 120 BPM | ||
| tere ashiq tere diwane hai lagan tumse laga baithe | Bhagwat Suthar | B Major | 9 | 1B | 94 BPM | ||
| Thanedar Ko Thanedar Sawariyo Maro Sarkar | Balkrishn Prajapati | A♭ Minor | 9 | 1A | 80 BPM | ||
| Mhare Man Ki Baat | Rajni Rajasthani | E Major | 8 | 12B | 152 BPM |